He did it. He should have done it in 1942 for For Whom the Bell Tolls but the committee was divided; some felt the sexual content was “improper”; no prize was awarded at all that year. It’s a bit sad that the award happened when it did, as Hem was not up to accepting it in person at that time and, I think, would have truly appreciated it. He scoffed at the Nobel Prize for Literature calling it the Ignoble Prize but it mattered to him to be passed over.
Well, he won it for The Old Man and the Sea, his little novella that was to be part of a trilogy.
Listen to the speech on the above link (well it’s just the beginning of the speech) in Hem’s voice. He enunciates his “t’s” and I’m not sure if it was for the purpose of being clear in this speech or if that was his mid-western accent. (If anyone out there knows, please let us know.) He could not make it to the actual ceremony due to the two plane crashes he’d been in and other health matters. John Cabot read his acceptance speech in Sweden and Hem made this recording after.
It’s humble and beautiful–and short.
It’s funny. Words are a writer’s craft and lifeline, yet many writers are not outgoing. Hem apparently was actually shy especially when not drinking and he was always reluctant to engage in public speaking.
Today, given the press for writers to be “out there”, I wonder how he would feel about twitter and facebook for himself. He likely would not have done it in the later years. His privacy became more valuable but of course, by then, he was not ernest hemingway but HEMINGWAY so no need to cultivate the masses.
The one thing I know is that a woman should never marry a man who hated his mother. Martha Gellhorn.
I write one page of masterpiece to ninety-one pages of shit. I try to put the shit in the wastebasket. Ernest Hemingway
Hemingway Misogynist (Definition) – noun, jargon. A male heterosexual individual whose misogynistic beliefs are seen predominantly when he is in a relationship with a strong, independent female who is, most likely, smarter than him. The Hemingway Misogynist is capable of having powerful lifelong friendship bonds with a few strong, independent women smarter than him, but only if he never enters into a sexual relationship with them. He will often say and believe hateful things about women in general, citing his own female friends as individual exceptions. Don’t sleep with this dude, because he will leave tire marks on your lawn when you publish your dissertation to rave critical reviews.Hemingway misogynists, Hemingway cats. Andrea Grimes
Hmm. May I protest?? Pauline, Martha, and Mary were all smart strong women. And Hadley was no dope. And he seems to have slept with all of his wives. Pauline and Mary did tend to defer to Hem but I’d say he liked that both were smart. Martha did challenge him and he did like his wives to be home with life revolving around him. However, I never saw him as disliking women. He just liked his life the way he liked it.
If we look at his literary women, what can we see? Brett, from The Sun Also Rises was smart and strong although troubled. Jake presumably slept with Brett before his injury. Catherine, from A Farewell to Arms, was a career woman before her time and she drove a good amount of that relationship. Maria, in For Whom the Bell Tolls, was young but strong. Pilar was a mountain of a woman, brave, and a hero in my book. Not one was a wimp or simpering girly-girl who just wanted to be dominated. Falling in love is not the same as wanting to be subservient.
Yup, there were many manipulative bitchy women in the short stories and novellas but many of the men were no prizes either. Helen in the Snows of Kilimanjaro and Margo in The Short Happy Life of Francis Macomber were wealthy, entitled, and limited. Still Harry in The Snows freely admitted his weaknesses and Helen’s efforts to help him as a writer. When honest, he admitted it was he who chose to be seduced by the easy life more than it was Helen forcing his hand. Margo was not easy in her condescending way but Francis was without backbone until the tragic end.
Hemingway was attracted to women with spirit: Marlene Dietrich, Jane Mason, Josephine Baker, Gertrude Stein, Adriana. All had opinions, attitude, and grace. Yes, Hem hated his mother but he didn’t hate women-kind. In fact, there is ample evidence that he enjoyed women quite a bit not just as lovers but as friends and sounding boards. But, hey, what do I know? Do you think he did?
Actually he drank a lot but it didn’t start out that way. He drank socially although significantly. He did not drink while working. On one occasion when asked by a journalist if he drank while writing his novels and short stories, he said,
“Jeezus Christ! Have you ever heard of anyone who drank while he worked? You’re thinking of Faulkner. He does sometimes – and I can tell right in the middle of a page when he’s had his first one. Besides, who in hell would mix more than one martini at a time?”
Hi favorite drink, contrary to some claims, was not the mojito, but a very dry martini, very very cold. He also, contrary to other claims, did not invent the Bloody Mary (the claim being that it was named after his fourth wife, Mary), during what was to be the equivalent of a period of drinking celibacy and that he used the tomato base to disguise the vodka. Good story but not true.
Drinking began early, probably at age 17 and then more drinking while in Italy during the war. Then, once he moved to Paris with Hadley, “thecafes, bars and bal musets became rallying points, look around the table and you might see the brightest minds of the Lost Generation—F. Scott Fitzgerald insanely drunk on champagne, Ezra Pound sipping absinthe, Gertrude Stein enjoying a fine red, James Joyce savoring scotch and Ford Maddox Ford sending back a brandy for the fourth time. They drank up liquor, they drank up life, they drank up each other.” Quote from Hooching with Hemingway by Frank Rich.
Hem was highly critical of Scott Fitzgerald’s drinking in their salad days, claiming it sapped Scott’s creativity, in addition to Zelda doing the same. He was annoyed by Fitzgerald’s alcoholism and occasionally criticized his writing in public. Hem and Zelda hated each other and there was never a détente in those feelings. Hem clearly did not see himself falling deeper into the alcoholic lifestyle as the years passed.
By the time Hem left Paris, his drinking habits had changed. “Where before he’d been a classic binge drinker, he now kept a steady bottle-killing pace. The transition had taken place just months earlier, after Hadley had lost a trunk containing most of his early work, literally years of labor. Crushed, Hemingway turned to alcohol as a means of drowning his bitter rage—when the anger came, he would slip down to the cafe and drink brandy and carouse with friends until happiness seeped back in. Quote from Hooching with Hemingway by Frank Rich
Martini: drink of choice
Hem also had fun with it. When Jigee Viertel revealed one evening that she had never had a drink of hard liquor, Hem was astounded. When she indicated a desire to try one, he suspended all that he was doing to consider whether Jigee— now in her mid-thirties— should end her tee totaling and if so, what the proper first drink was. Hem thought she should at least try a drink. He ran down options from a Bloody Mary, to a Manhattan to various gimlets. Finally he decided only a Scotch Sour would do. Jigee broke into a smile at the first sip, and Hem said, “It’s a good omen.” (A.E. Hotchner Papa Hemingway Page 60-61)
Hem brought his own booze to Spain or had it supplied; he kept it on his boat in great abundance. While he went through periods of abstinence, it never lasted and it was his pacifier of choice. My own reading leads me to think that initially, he became even more gregarious than he normally was when he drank. Once a certain point was passed, he perhaps became overly verbose and cantankerous. There is that thin line between wonderful raconteur and domineering ego-maniac who keeps going to the point of becoming a boor and a bore.. I don’t know if that was so in Hem’s case but I think it happened in the later years.
Sadly, alcoholism did play its role in Hem’s demise and decline. It appears to have ravaged other relatives after him too. Sad to consider other works that Hemingway may have written absent depression and alcoholism.
The below site talks about Hem’s drinking and some specifics. Interesting article. Check it out.
About morals, I know only that what is moral is what you feel good after and what is immoral is what you feel bad after. Ernest Hemingway
You expected to be sad in the fall. Part of you died each year when the leaves fell from the trees and their branches were bare against the wind and the cold, winter light. But you knew there would always be the spring, as you knew the river would flow again after it was frozen. When the cold rains kept on and killed the spring, it was as though a young person died for no reason. A Moveable Feast,Ernest Hemingway
Mariel Hemingway has written a new movie called “Running from Crazy.” It’s her documentary about the Hemingway legacy of mental illness and its common outcome: suicide.
I have not seen it yet. I’m feeling hostile to it although I’m not sure why. I like Mariel Hemingway very much. She perseveres; she tries to live healthy; she seems honest. Perhaps I’m feeling the negative vibe of this movie and not liking that. It’s about bad stuff that seems inescapable, predestined.
Mariel never knew her grandfather and there is no question that depression was a part of his make-up. Suicide seems not only to run in the family but in those around Hem. Martha Gellhorn killed herself when in ill health. Adriana Ivancich, his muse, killed herself in despair. Siblings of Hem killed themselves. But is depression “crazy”? Is not suicide perhaps the recognition that for yourself, tomorrow is just not bearable? It’s as sad as sad gets, but is it crazy? I don’t know. Maybe. Mental illness covers a broad spectrum.
I also read that Mariel is claiming in this movie documentary that her father, Jack, may have molested her older sisters, Muffet and Margaux. She then notes that he likely would not remember due to alcohol use/abuse and that he is not evil.(Apparently, Mariel’s mother also was an alcohol abuser.) I don’t know what to make of this: benign abuser/ non-evil molester?
Muffet has manic schizophrenia and is institutionalized; Margaux killed herself. There is apparently extraordinary video footage of Margaux as she made a documentary about her famous grandfather including interviews of her father. Those videos are movies within a movie in Mariel’s film.
By all accounts, Jack was a very nice man–outdoorsy, fisherman. I’ve heard the alcoholic portion before but not the abuser accusation. I’ll need to see the film to see if there is proof or some vague speculation. It’s unfair to the film to critique it without a viewing. I will see it and report back. Anyone who has seen it already, jump in please.
It is all unsettling. Family secrets are damaging and if Mariel has the proof, and wishes to expose, then I say expose away. There is little more heinous than child molesting. I’ll see the movie and hope you do. Come to your own conclusions. I hope it sheds light on the Hemingway history and true story of their saga and curse. Let me know what you thought.
The above cite purports to know what should/would be on Hem’s ipod. Hmm, being a skeptic, I have to ask, “How do they know?” Still we can speculate.
I see Hem listening to Sinatra. I don’t know why. Maybe because it’s so 30’s and 40’s elegant. Hemingway called Josephine Baker, the African-American entertainer who emigrated to France around the same time as Hemingway was there, “the most sensational woman anyone ever saw.”
Hem claims he met Josephine Baker in Paris at the best jazz club ever called Le Jockey and that she was there one night: “tall, coffee skin, ebony eyes, legs of paradise, a smile to end all smiles. Very hot night but she was wearing a coat of black fur. She turned her eyes on me and I cut in. Everything under that fur communicated with me. I introduced myself and asked her name. “Josephine Baker,” she said. We danced nonstop for the rest of the night. She never took off her fur coat. Wasn’t until the joint closed she told me she had nothing on underneath.” (Papa Hemingway, A.E. Hotchner)
So I think we can presume that there is some great jazz on his ipod. I’ve seen photos of Papa dancing with Martha so he did enjoy music and dancing, it seems. That was the early 40’s.
In The Snows of Kilimanjaro, Harry references a 1933 Cole Porter tune called “It’s Bad for Me”. I have to think that if he referenced it, he was familiar with Cole Porter’s music and he admired it. In Woody Allen’s Midnight in Paris,Cole Porter is present at one of the impromptu parties all of which suggests that Cole Porter and Hem crossed paths in a good way in Paris and maybe in NY, although Hem didn’t love NY.
From Hem’s love of Cuba, I see a love of the Spanish blend with Jazz. So what do you think is on Hem’s ipod? some cat songs? Speaking of which I’m in the middle of reading Hemingway’s Cats. Loving it, honestly. There is also mention of his dogs. I’ll post on this subject some other day.
We know that Hemingway’s mother had him playing the cello–badly if he is to be believed–and I’m sure chamber music was prevalent in the Hemingway household of his youth. Perhaps, in light of Hem’s dislike of his mother, he never listened to classical music after he left the family womb.
I just read a great article in The Paris Review describing Hem’s work room in Cuba. He stood up to write most of the time, with Black Dog sleeping at his feet for as long as it took. I believe the standing up thing was due to his bad back from the crazy plane crashes he was in. The article describes the room in great detail down to the book cases, the desk, the shutters but no mention is made of a radio or a phonograph. I can only conclude that Hem wrote with no accompaniement. Actually, I just read that although he built himself that studio at the Finca (as part of the cat house) to write (the cats occupied the second floor, his studio was on the third floor), in actuality, he reverted to writing in the house. He missed the animals and was more comfortable there.
Hem’s great pal, A.E.Hotchner, recalls Hem liking music but does not recall him going to concerts or music events. “He did not like theater, opera or ballet, and although he liked to listen to music he rarely, to my knowledge, attended a concert or any other musicial presentation, longhair or jazz.” A.E. Hotchner Papa Hemingway Page. 28.
Still he frequented many a jazz bar with Hem in Cuba.
Hem liked cigars, women, booze, and pals. He was a great raconteur. I have to think that music went with it all. I see his ipod being loaded with Sinatra, Santana (if he were around then), Cole Porter, Ella Fitzgerald, Josephine Baker, and Duke Ellington. What do you think? He might even go for a bit of Tim McGraw while out in Ketchum. Then again, I sure can see a bit of Parrot Head music while in Key West and Cuba. Take it away, Jimmy Buffett. Wasting away again in Margaritaville, looking for . . . . Who do you think is on Papa’s Ipod?
We don’t like bull fighting. It’s cruel. We care for and hope the bull will win. We, meaning Americans in general, don’t get it or understand how any civilized people could watch such a sport and actually sit through it and even applaud. I adore animals. I cannot watch the maiming and killings. So what did Hem see that we don’t? He loved animals and he had great heart and empathy.
I have to start by noting that I have always found The Dangerous Summer, Hemingway’s chronicle of a summer following two competing bullfighters, to be a wonderful, original and absorbing book. It started as an Esquire article and expanded to the book. I really loved it but for the killing of the bull scenes. I even understand and can accept the drama of the matadors, their dignity and honor. As much as all of us shun this sport, please take a chance and read the book for the saga and adventure that it was. It is excellent writing and you become part of the pageantry, of the training, and of the honor of being a bullfighter.
Pamplona of course is a key portion of The Sun Also Rises and Brett runs off temporarily with the young matador. She then does her noble act of leaving him so as not to ruin him. Because Spain and Pamplona are so wrapped in the Hemingway image and lore, it is important to know a bit about it, although not imperative to accept that bullfighting is in fact noble in its enactment of the life and death cycle.
So that brings us back to the old philosophical question: Must we avoid a writer because we hate his subject matter? My first post talks about how I don’t like hunting, fishing, war, bullfighting, heavy drinking and yet I love Hemingway. How is that possible? Because in the fewest words possible, Hemingway gets to the heart of what matters, what makes all of us tick, what it means to die and to live. The arena may be war or fishing or bullfighting but it’s about love, hate, living and dying. Thus you don’t have to love his forums to love his books.
I just read in Hemingway’s Cats, a truly lovely book by the way, that Papa lost his love for big game hunting as well as for bull fighting in his last years. He chose later in life to photograph animals in Africa, not shoot them, and felt that bullfighting had become a commericial and depressing spectacle. I admire people who can change opinions and he could. Ah, just more for me to like.
By the way, I just came across the below which is some footage of Hem that I enjoyed. Please don’t take offence by the title of the link. I just copied it! But it is a treat to see Hemingway moving, walking, in his home. Take a look. I loved it.
Every man’s life ends the same way. It is only the details of how he lived and how he died that distinguish one man from another. Ernest Hemingway
It has been said someone bet Hemingway that he couldn’t write a story in six words that would make you cry. Try this on for size, ye of little faith.
FOR SALE: BABY SHOES, NEVER WORN.
If that doesn’t tear your heart out from the inside out and make you gasp for breath, then you have no soul.
Hemingway was complicated. For those of you who’ve read this blog from the beginning, and especialy the Mask post, the Hemingway bluster and the macho “stuff” were both real and a mask for what Hemingway felt he should be. Please remember his devastation at the death of his cat, Willie.
The above, for me, says so much. Can you in six words sum up anything? In my women’s group, we did a similar exercise. In six words, sum up your life. We had three tries ( three versions) if so inspired. It’s not easy. Mine were something like: ” Good Girl, Bad Girl, Okay Woman” and “Love as the answer, not sure.”
This will be a short post. I find the above so thought-provoking and devastating that I think it’s enough. Hemingway is anything but a one-trick pony.
If you are lucky enough to have lived in Paris as a young man, then wherever you go for the rest of your life, it stays with you, for Paris is a moveable feast.
― Ernest Hemingway, A Moveable Feast
Everyone’s commented on it: Hemingway’s preoccupation with women’s hair. Hemingway’s mother, Grace, whom he purported to hate, had auburn hair that was her pride and joy. She wore it often in the Gibson girl style of the day and was quite proud of it. In almost every work of fiction that Hemingway has written–and nonfiction if you want to count A Moveable Feast–the time spent on the description of any of the main woman’s character’s hair is significant.
Lady Brett Ashley in The Sun Also Rises had short, swept back hair. She wears it cut “short like a man.” Catherine Barclay had soft hair and “wonderfully beautiful hair. I would lie sometimes watching her twist it up in the in the light that came in the open door and it shone even in the night as water shines sometimes just before it is really daylight.”
Maria, whom Robert Jordan called the rabbit because of her short-cropped hair cut off by the Fascists who gagged her with her own braids which was growing out, had hair the “color of wheat.” See above, Ingrid Bergman as Maria. Gary Cooper as Robert Jordan. In The Garden of Eden, the wife cuts her hair to match her husband’s and they both are attracted to the same woman. The Garden of Eden, however, was published posthumously and as I’ve noted in earlier posts, I don’t think the same standards can be applied to something published after the author’s death since clearly he hadn’t felt it was ready to be published at the time of his death. A huge editing may have been in the offing.
In his actual life, Hadley had lovely red hair. Shortly after their marriage she cut it short. It’s not clear whether she did so to please Hemingway or just for ease of care after she had Bumby. Hemingway seems to be one of the few men who prefer women with short hair.
Pauline had a boyishly short pixie cut. She had very dark hair and it was quite stylish on her. Hemingway liked it. At one point during their marriage, when he was clearly attracted to Jane Mason, a socialite and a stunning, legendary strawberry blond, Pauline dyed her hair blond and arrived home with this completely new look. There is no record of whether Hemingway liked it or reacted to it but she didn’t keep it blond for very long.
Martha had swinging long, blond hair when Hem met her which at times was shorter. Mary had short, swept back curly blond hair that framed her face.
From their first meeting, Hemingway and Gertrude Stein were simpatico. They did have a falling out several years later and despite the fact that Gertrude Stein clearly was living in a lesbian relationship with Alice B. Toklas, he maintained that there was a true animal attraction and that at least from his end he would have liked to have consummated the relationship had the situation been different. He describes Gertrude as having lovely dark immigrant hair and the sentiment is one of admiration. Her hair also was short and swept back at times, a style Hem favored, and at other times, longer and pinned up.
Scholars have pondered for years about whether this preoccupation came from the fact that Hemingway’s mother dressed him in girl’s clothes from a young age. She often represented to outsiders that he and his sister, Marcelline, were twins (they were about a year apart) and Grace maintained his hair at a feminine length. On occasion she called him Ernestine until he was about 6-years old. At that point he rebelled and demanded a hair cut and boy’s clothes as well as to be called by his real name. We can get psychological about the implications but as we all know, he grew up to be the icon of masculine virility.
While too much can be made of this element of Hemingway’s writing, it is something to think about and it is an interesting theme that runs through the novels in particular.
Always do sober what you said you’d do drunk. That will teach you to keep your mouth shut. Ernest Hemingway
MYTH 1 Hemingway cultivated the macho image because he wasn’t really.
Actually he really was all that and more. Macho that is. While we can quibble about what macho means, for the purpose of this post, I’m defining it as what is typically deemed manly, not terribly sensitive, and swaggering. Webster’s defines it as ” characterized by qualities considered manly, especially when manifested in an assertive, self-conscious, or dominating way.”
He was all of that although Hem had tons of sensitivity or he could not have written as he did.
There is no doubt that Hem was brave. In book after book that I’ve read, Hemingway is admired and lauded for true bravery. He was self-sacrificing in Italy as an ambulance driver going back for the wounded when he could have chosen not to. The wounds from Italy stayed with him all of his life.
He was crazy but courageous in Pamplona. That was all in youthful fun. it was more serious in Spain. While a journalist in Spain, during the civil war, his steadfast nerves during bombings and his intent focus on getting the story out in as true a form as possible, and helping others who were in jeoparday, are all legendary. (Martha Gellhorn by the way was equally brave. She was in the thick of it and a stalwart. Hem loved that about her and their love truly blossomed while in Spain and in the midst of war. Both behaved beyond admirably.)
While living in Key West and then Cuba, Hem ran the “Crook Factory” and trolled the Carribean with his cronies for German subs and bombs. They could have been blown up themselves. While perhaps Hemingway was always a bit of a boy looking for adventure, he was anything but a coward. What I’ve always liked about Hemingway is he walked the walk. Even when he had money and could afford the easy way out, he rarely took it (although he did like his comforts and his booze while braving the elements and the enemy. When in China with Martha on a trip he had not wanted to take, Martha hated the dirt, the rustic accomodations, but that did not bother Hem at all. He was happiest talking to the locals at a pub, or simple home. He was no snob. Usually by the time Martha got home, an entourage was assembled and drinking, much to her distress)
Still he was real, strong, and brave. No phoney there. Other myths will be discussed although not necessarily next week. I’ll surprise you. Write to me please about your favorite myths. Also many of you out there know more than I do so chime in if I’ve got it wrong or if you think he was a phony. I’m interested.