FOR POETS OUT THERE!!!! It would be fun!!

Poetry retreat planned for Hemingway-Pfeiffer Museum in November

The Hemingway-Pfeiffer Museum and Educational Center (HPMEC) will host a poetry workshop on Saturday, Nov. 8.

ContributedArkansas State University

Jonesboro, AR – (Contributed) – Sept. 13, 2025 – The Hemingway-Pfeiffer Museum and Educational Center (HPMEC) will host a poetry workshop on Saturday, Nov. 8.

The event will honor novelist Ernest Hemingway, who spent nearly a decade writing and living in Piggott at the site of HPMEC.

“The retreat offers writers the opportunity to work on personal creative writing, share their work, receive feedback, and interact with others interested in writing,” said Shannon Williams, director of HPMC.

The cost for the retreat is $35 for members of HPMC and $40 for nonmembers.

“The retreat is structured to be interactive and a time when friendships are formed, craft is honed, and creativity is enhanced,” Williams added.

The retreat is a one-day event that will start at 10 a.m. Participants will spend the morning writing short poems, using old-fashioned rhyme and rhythm, followed by a provided lunch. From 12:30 until 4 p.m. authors will work on composition of poems and collaborate with other attendees. A complimentary tour of HPMC will follow.

Those interested in attending may reach out to Williams at shwilliams@AState.edu or call 870-598-1637.

 

Looks like fun! If you are in Idaho . . . check it out!

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Hemingway Seminar to explore Paris through ‘A Moveable Feast’

Annual event highlights Ernest Hemingway’s legacy with scholars, exhibits and community discussion

25-08-22-Community Library Party-Roland-10
The Community Library, pictured during a recent anniversary celebration, will host its annual Hemingway Seminar this week.

The Community Library’s annual Ernest Hemingway Seminar will return Thursday through Saturday, inviting readers, writers and scholars to reflect on one of the author’s most beloved works: “A Moveable Feast.”

This year’s seminar, “Never Any Ending to Paris: Journeying through ‘A Moveable Feast,’” will center on Hemingway’s sketches of 1920s Paris, created during a period when he was a young writer honing his craft among artists, musicians and literary figures who would shape modernist culture.

“‘A Moveable Feast’ offers us insight into Hemingway’s early days as an artist and invites reflection on memory and nostalgia in his writing,” said Martha Williams, the library’s director of programs and education. “We’re especially excited to welcome Dr. Seán Hemingway, Ernest’s grandson and the editor of the 2009 restored edition of the text, as our opening keynote speaker. Seán will help us dive into the work, what Ernest intended for his memoir, and why it continues to resonate for readers and writers today.”

Idaho

The seminar will open Thursday, Sept. 4, with a 5 p.m. reception catered by Roots Wine Bar and Bottle Shop, followed by Dr. Hemingway’s keynote at 6 p.m. Over the following two days, sessions will explore the book’s style and tone, the characters who inspired its creation and the broader artistic and cultural atmosphere of Hemingway’s Paris.

Featured speakers include Hilary Justice, the Patrick and Carol T. Hemingway scholar-in-residence at the John F. Kennedy Presidential Library, and Barbara Groth of the Nomadic School of Wonder, who will lead a presentation on Hemingway’s “art of noticing.”

Clyde Moneyhun, Ph.D., Stacey Guill, Ph.D., and Mac Test, Ph.D., will also return as presenters from Boise State University. Additional speakers include Cathy MacHold, Eileen Martin, Greer Rising and Jennifer Sander.

Francesca Wade, author of the forthcoming “Gertrude Stein: an Afterlife,” will join virtually from the United Kingdom to discuss Stein’s influence and legacy. Talks on Stein, Parisian music and the city’s artistic culture will help place Hemingway’s recollections in a broader context.

The seminar will conclude Saturday, Sept. 6, with a 4:30 p.m. reception catered by Silver Fox Catering.

In-person tickets for the event are $95, and virtual participation is open for $30. Full details and registration links can be found at comlib.org.

Complementing the seminar is a new exhibit, “From Paris to Hemingway’s Idaho: ‘Hunger Was Good Discipline,’” curated by Riley Bradshaw, the library’s 2025 Hemingway in Idaho research fellow. Opening today, Wednesday, Sept. 3, in the Library foyer, the exhibit connects Hemingway’s time in Paris with his later life in Ketchum, featuring objects from his final home. It will remain on display through December. 

Where Hemingway Finished “A Farewell to Arms.” A dear friend, Don, shared this with me and I found it so interesting I wanted to share it with you. Hope you enjoy it as much as I did. I added some photos of Hemingway out west but not at this particular ranch. Best, Christine

Historic Spear Ranch, Where Hemingway Finished ‘A Farewell To Arms,’ Lists For $29 Million

Wyoming’s historic Spear Ranch is where Ernest Hemingway found the solitude and seclusion he needed to finish “A Farewell to Arms.” The Big Horn property is also near Wyoming’s oldest polo field, and can be had for $29 million.

Renée Jean

June 07, 20256 min read

Wyoming’s historic Spear Ranch is where Ernest Hemingway found the solitude and seclusion he needed to finish “A Farewell to Arms.” It’s also near Wyoming’s oldest polo field, and can be had for $29 million.
Wyoming’s historic Spear Ranch is where Ernest Hemingway found the solitude and seclusion he needed to finish “A Farewell to Arms.” It’s also near Wyoming’s oldest polo field, and can be had for $29 million. (Courtesy Hall and Hall)

Ernest Hemingway did some of his best writing in Big Horn, Wyoming, at the historic Spear Ranch, which he prized for its solitude and seclusion.

He tried the Folly Ranch first, but noisy college-age tourists drove him to the Sheridan Inn. There, his third-floor room in August 1928 proved both unbearably hot and small.

The third floor had once housed the servants, and a 6-by-9-foot room barely accommodated a bed, much less a burly writer like Hemingway.

That soon had Hemingway looking at other ranches for the peace and quiet he needed, among them the Spear Ranch, where he wrote at least some of his famous novel, “A Farewell to Arms.”

That very ranch has just hit the real estate market for $29 million, according to a listing by Hall and Hall.

The Spear Ranch takes its name from its founding family. William Bradford Spear traded a few mules and some cash for a 160-acre homestead in the 1880s.

The two homesteads together are the heart of the 300-plus-acre Spear Ranch. Broken up a few times over the years, the ranch has been put back together again by its latest owners, who were not identified in the real estate listing.

About The Ranch

Hall and Hall’s listing agent did not respond to Cowboy State Daily’s request for an interview. But the listing for the ranch features photos of the Ranch that seem as though they should lie in some kind of fairy tale.

The picturesque Bighorn Mountains are just to the south and west of the ranch, rising to 11,000 feet, while a 1.6-mile section of the Little Goose Creek, an outstanding trout fishery, meanders through the property. There’s a lovely gazebo overlooking that creek at the main house.

Multiple ponds, extensive lawns and an irrigated meadow contribute to an almost park-like feel.

Miles of trails throughout the ranch have been covered with wood chips, and there’s a small gauge target range. Not to worry about drinking water either. There’s access to Sheridan Area Water Supply District, as well as 12 permitted wells for domestic and stock water.

young Hem

Irrigation rights for the ranch are some of the earliest in Wyoming, with history predating the state itself. And the seller is offering 131 shares of Park Reservoir water, which helps assure late-season irrigation and good stream flow.

Not Just About Solitude

Hemingway chose Spear Ranch to write part of his novel, “A Farewell to Arms,” because he needed solitude and seclusion, but the Spear Ranch can also bring excitement. That’s because it’s in the heart of a major polo hub that’s not just prominent in Wyoming, but the polo world at large. 

Top players from around the world annually come to the area to play in tournaments during the summer, and there’s not just one but two prominent polo clubs nearby, the Big Horn Polo Club and the Flying H Polo Club. Together, they offer a wide range of experiences from practice games to serious tournaments.

Polo has a long history in Sheridan County going back to the 1890s, when a pair of Scottish brothers, William and Malcolm Moncreiffe, decided to not only set up a pony breeding operation but offer a polo field. They wanted to introduce the game to their cowhands.

One of their cousins, Oliver Malcolm Wallop, the fifth son in a titled line in Britain, decided he wanted to be a cowboy and came to Wyoming to ranch near his cousins, the Moncreiffes, not long after graduating from Oxford in 1883. Wallop had to return to England after his fourth brother died, but eventually, his son, Oliver Wallop, returned to that Wyoming ranch, which is adjacent to the Spear Ranch.

The house on a Hill: Hemingway’s home. Hem lived here much later in Idaho.

The first recorded polo match in Sheridan County was July 4, 1893. According to historical records, it was played in front of several thousand spectators, with a warmup from a military band before the match started.

The teams featured five mainly British players to a side and were listed as Beckton vs. Sheridan.

Equestrian polo has remained a part of the Sheridan-area culture ever since, and the arena where Don King Days Polo tournament, the biggest of Big Horn Polo Club’s season, is ringed by mountains, making it a gorgeous place to watch this sport. The event often hosts other competitions, like the Wyoming Steer Roping Finals in 2023, where Kassandra Shoemaker made history as the first woman to compete in that particular event. She was also named Rookie of the Year.

Big Horn Polo Club was established in 1898, and lays claim to being the oldest polo club in the West.

That, too, is all part of the one-of-a-kind history and legends, ranging from Hemingway to European royalty, that surround the historic Spear Ranch in Wyoming.

Renée Jean can be reached at renee@cowboystatedaily.com.

Phew! We Knew it.

Very interesting interview of John Patrick Hemingway, one of Gregory’s sons, Grandson of Ernest Hemingway. Good read. It is formatted run on so a bit difficult to read but worth it. Best Christine (A few photos added by me.)

Echoes of a Literary Dynasty

John Patrick Hemingway reflects on his family’s complex legacy, from fishing in Bimini to personal transformations and literary pursuits.

Echoes of a Literary Dynasty
by Riccardo De Palo
4 Minutes of Reading
martedì 24 giugno 2025, 20:06 – Last updated: 25 giugno, 00:20

“My father Gregory, the third son of Ernest Hemingway, loved to return to fish in Bimini, in the Bahamas, where The Old Man and the Sea was set. He often took a flight with a company that no longer exists, Chalk’s, which had one of the oldest seaplanes in the world, worn out by continuous travel, and which eventually crashed in a terrible accident. Once, off the coast of Cape Cod, a huge tuna bit the line, it must have weighed at least two hundred kilos. It took eight hours to drag it onto the boat, and on board was Norman Mailer, the writer. Drunk, he kept saying: ‘You will never match your father.’ And he replied: ‘Shut up, Norman.'” Speaking is John Patrick Hemingway, 65 years old, grandson of the great author of Fiesta and a writer himself, who will be at the 41st edition of the Prize established in honor of his grandfather, on Saturday in Lignano Sabbiadoro (among the awardees Alicia Giménez-Bartlett, Felicia Kingsley, Nobel laureate Venki Ramakrishnan). A difficult life, his, spent fleeing from the curse of his family. “My grandfather killed himself when I was ten months old. My great-grandfather met the same fate. As did my cousin, the beautiful Margaux.” His father first began to dress as a woman and then changed his sex, calling himself Gloria. Was Gregory’s a rebellion against his father’s machismo? “You could say that. Yet, at the same time, there was a period when he was extremely macho. Once, in Cuba, he won a national skeet shooting competition, and his father was happy because he thought he had passed on the talent for precise aim. He also worked in Africa organizing hunting safaris. But he knew, like Ernest, that a man, to be truly such, must know his feminine side.” Did your grandfather also know it? “Yes, he explored this theme in his stories. In some, he talks about gays and lesbians.

With Gregory, i believe

And then there is The Garden of Eden (published posthumously in 1986), very explicit in this sense. My father, on the other hand, was a doctor. And then what does he decide to do? To become a woman, to undergo surgical operations.” Even his end is a story worthy of a novel. “He died in 2001 due to heart problems. He was detained in the female section of the Miami-Dade County jail, and the strange thing was that he died on the same day as his mother, who had passed away 50 years earlier. I remember when I looked at the date and talked about it with a Hemingway scholar from Piggott, Arkansas, where my grandmother was from, and she said: ‘Oh my God.’ I think it was simply too much for him. Because my grandfather blamed him for what happened to his mother, it was a horrible thing.” Meaning? “His father was no longer there to remind him, but Gregory had that thought fixed in his head. Pauline Pfeiffer was Ernest Hemingway’s second wife and had a rare form of adrenal gland cancer, which can be fatal during times of stress. Ernest called her on the phone and told her that my father had been arrested because he had entered the women’s bathroom of a cinema in Los Angeles. It was 1951, times were different, and the police had thrown him in jail.

Pauline, second wife and being replac

‘You ruined him, you know that?’ my grandfather accused her. And she died of it.” Many in your family were bipolar. Have you spent your life running from your ghosts? “It is usually a disease that manifests at a young age, so now, at 65, I can consider myself out of danger. Coming to live in Italy helped me a lot. Because Italians have a very different idea of success and existence compared to Americans. Ernest also loved Italy and your beautiful language. He almost died there during the war. And then he found love in that Milan hospital, with the nurse Agnes von Kurowsky who inspired A Farewell to Arms. I also love speaking Italian. Give me a couple of days, and a couple of spritzes, and I’ll speak fluently again.” How long did you live in Italy? “A good 22 years. First in Milan, in Piazza Bottini. And the last two in Monza, not far from the Formula One track. I had also become a Milan fan because a friend took me to the stadium to watch the matches, at the time of Gullit and Van Basten. Then I decided to leave again, to return to live where I was born and raised, and to devote myself to writing. Today I live in Jacksonville, Florida.” Was there a turning point when you managed to leave the past behind? “When Michael was born, in Milan. At that point, I was no longer the son, I had become the father.” After your first memoir, “Una strana tribù,” also published in Italy, you returned to Pamplona in the footsteps of your grandfather for “Bacchanalia” in 2019. What is it about? “It was my interpretation of the bull run, a love story. I think it’s one of my best books. I am currently finishing a noir trilogy that began with Murder on the Florida Straits and continued with Ron Echeverría: A Miami Story, not yet published in Italian. Books full of violence, but also of love and sex.”

© ALL RIGHTS RESERVED

Hemingway with Patrick, John “Bumby”, and Gregory “Gigi”), at Club . Greg is this writer’s father, far right.
de Cazadores del Cerro, Cuba. Photograph in Ernest Hemingway Photograph Collection, John F. Kennedy Presidential Library and Museum, Boston.

This article is automatically translated

Belated Happy Birthday due to Mail Chimp Issues! This was done on July 21. And this is why we still study and read him.

Happy Birthday, Ernest Hemingway: Here’s What They Don’t Teach in Literature Class

Ernest Hemingway’s birthday reveals more than just the legacy of a literary genius. Beneath his clipped sentences and stoic characters lies a man torn between fame, failure, and flaws. His life was a quiet storm, which was contradictory, unforgettable, and as raw as the prose he crafted with such brutal honesty.
Ernest Hemingway

Happy Birthday, Ernest Hemingway: Here’s What They Don’t Teach in Literature Class (Picture Credit – Wikipedia)

July 21st marks the birth anniversary of one of the most iconic and influential writers of the 20th century—Ernest Hemingway. He’s remembered for his revolutionary prose, larger-than-life persona, and uncompromising vision of storytelling. His novels changed the way we think about masculinity, war, love, and loss. But what we often overlook in literature classes are the contradictions and shadows that make Hemingway more human than myth.
Let’s celebrate the writer whose legacy is inseparable from the pages of literary history, while also understanding the man behind the legend.

The Literary Giant Who Rewrote the Rules

Ernest Hemingway wasn’t just a writer; he was a craftsman. His prose—direct, sharp, and deceptively simple pioneered what is now called the “Iceberg Theory”: only a fraction of the story appears on the surface, the rest lingers underneath. In a time when literature was often flowery and verbose, Hemingway’s minimalism offered something radical. He stripped away excess and trusted readers to feel the weight of silence, implication, and restraint.
Works like ‘The Sun Also Rises’, ‘A Farewell to Arms’, ‘For Whom the Bell Tolls’, and ‘The Old Man and the Sea’ didn’t just earn him readers, they earned him a Nobel Prize and a place in every literature syllabus worldwide. He captured the post-war disillusionment of a generation and did it with style that was lean but never hollow.

A Man of His Time

Hemingway’s worldview, shaped by two world wars, personal tragedies, and the rigid expectations of masculinity in early 20th-century America, was complicated. He believed in grit, endurance, and the nobility of suffering. He idolised courage, especially the quiet, unspoken kind. Critics and admirers alike agree that Hemingway was not interested in showing emotion, but rather in surviving it.
Many of his flaws, his often unfiltered bravado, his competitiveness, and his views on gender and race are unsettling when viewed through a modern lens. But to ignore the cultural context of his time would be to commit the same injustice we accuse others of: reducing a person to a stereotype.

The Fragile Side Behind the Tough Image

Much of Hemingway’s legacy is built around a hardened persona: the bullfighter, the deep-sea fisherman, the war correspondent, the rugged adventurer. Yet, behind all this was someone deeply sensitive to the world’s pain. Hemingway battled depression and survived multiple injuries, including two plane crashes in Africa. He lost close friends in war and love alike. His letters and later-life interviews reveal a man more introspective than most realise.
He wrote about trauma long before the term PTSD was coined. In ‘A Farewell to Arms’, Frederic Henry’s numbness after losing Catherine mirrors Hemingway’s own fear of vulnerability. ‘The Old Man and the Sea’ is, at heart, a quiet story about dignity in the face of failure—a theme Hemingway knew intimately.

On Women, Relationships, and Regret

Hemingway married four times, and each relationship revealed something about his struggle with intimacy. His relationship with fellow writer Martha Gellhorn was especially complex; he admired her independence but also felt threatened by it. Still, many of Hemingway’s female characters, particularly in later works, break the stereotype of the silent, obedient woman. Catherine Barkley in ‘A Farewell to Arms’ and Pilar in ‘For Whom the Bell Tolls’ are far more nuanced than his critics often acknowledge.
It’s true that Hemingway’s views on gender and women were far from ideal by today’s standards. But they evolved, and so did his writing. He was a man trying to understand a changing world, even if he didn’t always get it right.

Wrestling With the Darkness

One cannot talk about Hemingway without acknowledging the deep emotional turbulence that haunted him. He had a famously volatile temper, often lashed out at friends and rivals, and struggled with alcoholism. He could be cruel, dismissive, and domineering—traits that damaged his personal relationships and public image. His need to assert dominance, especially over women and other writers, has been well documented. These patterns of behaviour weren’t simply quirks—they were signs of deeper insecurities and unresolved trauma. Yet the honesty with which he bled into his work makes those very flaws part of the literary conversation surrounding him today. Understanding Hemingway means recognising both his brilliance and his blind spots.

Why He Still Matters

Even today, Hemingway is read not just for his stories, but for what his stories awaken in us: silence, courage, resilience, despair, and above all, the search for meaning in a chaotic world. He showed us that writing doesn’t have to be elaborate to be profound. That a few carefully chosen words can say more than a paragraph.
The criticisms of Hemingway are not without merit, but neither is the praise. He was a product of his time, yes, but also a challenger of it. His work still forces us to wrestle with uncomfortable questions: about war, masculinity, isolation, and loss.

On his birthday, let’s remember Ernest Hemingway in full. Not just the myth, not just the man, but the mosaic of both. His legacy isn’t clean, but no great writer’s ever is. What matters is that his words remain alive—taught, quoted, wrestled with, and ultimately, understood more deeply with each generation.
To celebrate Hemingway is not to excuse his flaws but to recognise that greatness, like life, is complicated. And sometimes, the most enduring stories are born not out of perfection, but contradiction.

I missed part one of “Big Two-Hearted River.” It is referenced below. Wonderful to go back to this one and the other Nick Adams stories. Some photos added by me. Best, Christine

Part two of Ernest Hemingway’s “Big Two-Hearted River”

Outdoor News presents a classic piece of literature that unfolds in America’s great outdoors. (Illustrations by Chris Wormell)

Editor’s note: Outdoor News presents the second part of its centennial reprint of Ernest Hemingway’s “Big Two-Hearted River” this week. As we explained in our last issue, the story originally appeared in 1925 in two parts, but for space considerations, we’re dividing it into four. The end of this “Part 2” syncs with the end of the original first half of the story. Readers are seeing the original text, representative of the era 100 years ago, which is why we haven’t edited words like “catchup.” “Part one” of the series can be read here.

PART 2 of 4

By Ernest M. Hemingway

Nick woke stiff and cramped. The sun was nearly down. His pack was heavy and the straps painful as he lifted it on. He leaned over with the pack on and picked up the leather rod-case and started out from the pine trees across the sweet fern swale, toward the river. He knew it could not be more than a mile.

Always a Fisherman

He came down a hillside covered with stumps into a meadow. At the edge of the meadow flowed the river. Nick was glad to get to the river. He walked upstream through the meadow. His trousers were soaked with the dew as he walked. After the hot day, the dew had come quickly and heavily. The river made no sound. It was too fast and smooth. At the edge of the meadow, before he mounted to a piece of high ground to make camp, Nick looked down the river at the trout rising. They were rising to insects come from the swamp on the other side of the stream when the sun went down. The trout jumped out of water to take them. While Nick walked through the little stretch of meadow alongside the stream, trout had jumped high out of water. Now as he looked down the river, the insects must be settling on the surface, for the trout were feeding steadily all down the stream. As far down the long stretch as he could see, the trout were rising, making circles all down the surface of the water, as though it were starting to rain.

The ground rose, wooded and sandy, to overlook the meadow, the stretch of river and the swamp. Nick dropped his pack and rod-case and looked for a level piece of ground. He was very hungry and he wanted to make his camp before he cooked. Between two jack pines, the ground was quite level. He took the ax out of the pack and chopped out two projecting roots. That leveled a piece of ground large enough to sleep on. He smoothed out the sandy soil with his hand and pulled all the sweet fern bushes by their roots. His hands smelled good from the sweet fern. He smoothed the uprooted earth. He did not want anything making lumps under the blankets. When he had the ground smooth, he spread his three blankets. One he folded double, next to the ground. The other two he spread on top.

Hem with his father

With the ax he slit off a bright slab of pine from one of the stumps and split it into pegs for the tent. He wanted them long and solid to hold in the ground. With the tent unpacked and spread on the ground, the pack, leaning against a jackpine, looked much smaller. Nick tied the rope that served the tent for a ridgepole to the trunk of one of the pine trees and pulled the tent up off the ground with the other end of the rope and tied it to the other pine. The tent hung on the rope like a canvas blanket on a clothesline. Nick poked a pole he had cut up under the back peak of the canvas and then made it a tent by pegging out the sides. He pegged the sides out taut and drove the pegs deep, hitting them down into the ground with the flat of the ax until the rope loops were buried and the canvas was drum tight.

Across the open mouth of the tent Nick fixed cheesecloth to keep out mosquitoes. He crawled inside under the mosquito bar with various things from the pack to put at the head of the bed under the slant of the canvas. Inside the tent the light came through the brown canvas. It smelled pleasantly of canvas. Already there was something mysterious and homelike. Nick was happy as he crawled inside the tent. He had not been unhappy all day. This was different though. Now things were done. There had been this to do. Now it was done. It had been a hard trip. He was very tired. That was done. He had made his camp. He was settled. Nothing could touch him. It was a good place to camp. He was there, in the good place. He was in his home where he had made it. Now he was hungry.

He came out, crawling under the cheesecloth. It was quite dark outside. It was lighter in the tent.

Nick went over to the pack and found, with his fingers, a long nail in a paper sack of nails, in the bottom of the pack. He drove it into the pine tree, holding it close and hitting it gently with the flat of the ax. He hung the pack up on the nail. All his supplies were in the pack. They were off the ground and sheltered now.

Nick was hungry. He did not believe he had ever been hungrier. He opened and emptied a can at pork and beans and a can of spaghetti into the frying pan.

“I’ve got a right to eat this kind of stuff, if I’m willing to carry it,” Nick said. His voice sounded strange in the darkening woods. He did not speak again.

He started a fire with some chunks of pine he got with the ax from a stump. Over the fire he stuck a wire grill, pushing the four legs down into the ground with his boot. Nick put the frying pan on the grill over the flames. He was hungrier. The beans and spaghetti warmed. Nick stirred them and mixed them together. They began to bubble, making little bubbles that rose with difficulty to the surface. There was a good smell. Nick got out a bottle of tomato catchup and cut four slices of bread. The little bubbles were coming faster now. Nick sat down beside the fire and lifted the frying pan off. He poured about half the contents out into the tin plate. It spread slowly on the plate. Nick knew it was too hot. He poured on some tomato catchup. He knew the beans and spaghetti were still too hot. He looked at the fire, then at the tent, he was not going to spoil it all by burning his tongue. For years he had never enjoyed fried bananas because he had never been able to wait for them to cool. His tongue was very sensitive. He was very hungry. Across the river in the swamp, in the almost dark, he saw a mist rising. He looked at the tent once more. All right. He took a full spoonful from the plate.

“Chrise,” Nick said, “Geezus Chrise,” he said happily.

He ate the whole plateful before he remembered the bread. Nick finished the second plateful with the bread, mopping the plate shiny. He had not eaten since a cup of coffee and a ham sandwich in the station restaurant at St. Ignace. It had been a very fine experience. He had been that hungry before, but had not been able to satisfy it. He could have made camp hours before if he had wanted to. There were plenty of good places to camp on the river. But this was good.

Nick tucked two big chips of pine under the grill. The fire flared up. He had forgotten to get water for the coffee. Out of the pack he got a folding canvas bucket and walked down the hill, across the edge of the meadow, to the stream. The other bank was in the white mist. The grass was wet and cold as he knelt on the bank and dipped the canvas bucket into the stream. It bellied and pulled held in the current. The water was ice cold. Nick rinsed the bucket and carried it full up to the camp. Up away from the stream it was not so cold.

Nick drove another big nail and hung up the bucket full of water. He dipped the coffee pot half full, put some more chips under the grill onto the fire and put the pot on. He could not remember which way he made coffee. He could remember an argument about it with Hopkins, but not which side he had taken. He decided to bring it to a boil. He remembered now that was Hopkins’s way. He had once argued about everything with Hopkins. While he waited for the coffee to boil, he opened a small can of apricots. He liked to open cans. He emptied the can of apricots out into a tin cup. While he watched the coffee on the fire, he drank the juice syrup of the apricots, carefully at first to keep from spilling, then meditatively, sucking the apricots down. They were better than fresh apricots.

The coffee boiled as he watched. The lid came up and coffee and grounds ran down the side of the pot. Nick took it off the grill. It was a triumph for Hopkins. He put sugar in the empty apricot cup and poured some of the coffee out to cool. It was too hot to pour and he used his hat to hold the handle of the coffee pot. He would not let it steep in the pot at all. Not the first cup. It should be straight Hopkins all the way. Hop deserved that. He was a very serious coffee drinker. He was the most serious man Nick had ever known. Not heavy, serious. That was a long time ago. Hopkins spoke without moving his lips. He had played polo. He made millions of dollars in Texas. He had borrowed carfare to go to Chicago, when the wire came that his first big well had come in. He could have wired for money. That would have been too slow. They called Hop’s girl the Blonde Venus. Hop did not mind because she was not his real girl. Hopkins said very confidently that none of them would make fun of his real girl. He was right. Hopkins went away when the telegram came. That was on the Black River. It took eight days for the telegram to reach him. Hopkins gave away his .22 caliber Colt automatic pistol to Nick. He gave his camera to Bill. It was to remember him always by. They were all going fishing again next summer. The Hop Head was rich. He would get a yacht and they would all cruise along the north shore of Lake Superior. He was excited but serious. They said good-bye and all felt bad. It broke up the trip. They never saw Hopkins again. That was a long time ago on the Black River.

Nick drank the coffee, the coffee according to Hopkins. The coffee was bitter. Nick laughed. It made a good ending to the story. His mind was starting to work. He knew he could choke it because he was tired enough. He spilled the coffee out of the pot and shook the grounds loose into the fire. He lit a cigarette and went inside the tent. He took off his shoes and trousers, sitting on the blankets, rolled the shoes up inside the trousers for a pillow and got in between the blankets.

on the Pilar

Out through the front of the tent he watched the glow of the fire, when the night wind blew on it. It was a quiet night. The swamp was perfectly quiet. Nick stretched under the blanket comfortably. A mosquito hummed close to his ear. Nick sat up and lit a match.

The mosquito was on the canvas, over his head. Nick moved the match quickly up to it. The mosquito made a satisfactory hiss in the flame. The match went out. Nick lay down again under the blanket. He turned on his side and shut his eyes. He was sleepy. He felt sleep coming. He curled up under the blanket and went to sleep.

Part 3 continues the story next week.

To own the complete version of Big Two-Hearted River in one handsome volume, check out the 2023 Mariner Classics version, which includes a lengthy forward from author and journalist John N. Maclean.

It’s available via online (this is an affiliate link from Outdoor News) and retail book-sellers everywhere.

Silly but Fun: Annual Hemingway Look-alike contest in Key West!

Papa winner

David ‘Bat’ Masterson, center, celebrates his victory with past winners of the Hemingway Look-Alike Contest on July 20, 2024, outside Sloppy Joe’s Bar in Key West. Masterson, a 71-year-old retired helicopter pilot from Daytona Beach, bested 121 other contestants to take the look-alike title on his 10th attempt. The contest is a highlight of the island’s annual Hemingway Days festival that honors Nobel Prize-winning author Ernest Hemingway, who lived and wrote in Key West during most of the 1930s.

Will Hemingway “survive Trump’s Crackdown on Cuba?” Your thoughts? Test your Spanish a little bit. If you deferred going to Cuba, you may have to wait a while. Best, Christine (A few photos added by me.)

 

When visiting Cuba, Ernest Hemingway used to stay in Hotel Ambos Mundos, in Havana.  EFE/Ernesto Mastrascusa
When visiting Cuba, Ernest Hemingway used to stay in Hotel Ambos Mundos, in Havana.  EFE/Ernesto Mastrascusa

Will Hemingway survive to Trump’s Crack Down on Cuba?

Finca Vigia–Hemingway’s home in Cuba

Donald Trump is expected to put an end to the rapprochement with Cuba initiated by former president Barack Obama two years ago. Trump’s White House plans to clamp down the emerging travel and business ties between the US and the communist island, in order to pressure the government of Raul Castro on human rights.

The restrictive measures, however, are going to affect both countries. For Cubans, basically, it will mean to loose potential of business opportunities brought by an increasing American tourism. And for Americans, it will mean that business and travel relations will be harder and more costly. For all those Americans who planned a visit to Havana and enjoy a mojito in La Bodeguita de el Medio, Ernest Hemingway favourite bar, it may be more complicated  in the near future.

If US and Cuba make a step backwards in their diplomatic relations, Hemingway’s legacy can be  “in danger” , alerted this week some of the speakers at the 16th International Colloquium Ernest Hemingway in Havana, as reported in EFE

From June 15 to 18, Havana is hosting the 16h International Colloquium Ernest Hemingway, a biannual encounter of academics and experts on the American author. It takes place in the Ernest Hemingway House Museum, in the “Finca Vigía”, located in the  neighborhood of San Francisco de Paula, where the author wrote one of his most famous novels, “The old man and the Sea” , winner of the Pulitzer Prize in 1953. A year later, he won the Nobel Prize in Literature.

Hemingway had a long affective relationship with Cuba, ever since he first arrived in 1928.

CONTENIDO RELACIONADO

“I think if President Trump reverses US-Cuba relations, he will really be disadvantaging his own country fellows,” said Valerie Hemingway, the American author’s daughter in law, and a guest speaker at the Colloquium, as reported in EFE. ” A setback in the thaw (between US and Cuba) is “a tragedy” because it would prevent  other Americans from knowing “this wonderful paradise “and his” friendly and intelligent “people”, she said, as cited by EFE.

Valerie also said that since the reestablishment of bilateral relations two and a half years ago the University of Montana, where she resides, sends students to the island every year.

In case traveling to Cuba becomes really complicated, there are other ways to get closer with America’s famous author and Cuba lover. This Saturday, for example, the Ernest Hemingway Foundation in Oak Park (Chicago) is hosting a soiree to celebrate 100 years since the writer’s 1917 graduation from Oak Park and River Forest High School.