Author: Christine Whitehead
Hem’s 16 Essential Books for Reading
The most essential gift for a good writer is a built-in, shockproof, shit detector.
― Ernest Hemingway
Hemingway was notoriously generous to young writers and fans seeking his input. A.E. Hotchner who became a good confidante and friend met Hem in the Spring of 1948 when he was dispatched to Cuba on assignment by Cosmopolitan magazine to get an article on Hem about The Future of Literature. The magazine was putting out an issue about “the future” of everything: architecture, cars, art, etc. You get the idea. So why not have the lion of literature give an interview on the future of literature.
Hotchner sent a note to Hem saying that he’d been sent down on “this ridiculous mission but did not want to disturb him, and if he could simply send me a few words of refusal it would be enormously helpful to the The Future of Hotchner.” A.E. Hotchner, Papa Hemingway. Page 4.
Instead, Hem rang him the next day.
“This Hotchner?” he asked
“Yes.”
“Dr. Hemingway here. Got your note. Can’t let you abort your mission or you’ll lose face with the Hearst organization, which is about like getting bounced from a leper colony. You want to have a drink around five? There’s a bar called La Florida. Just tell the taxi.” A.E. Hotchner, Papa Hemingway, page 4.
. And thus began a beautiful friendship.(Of course many challenge if this anecdote is true. Hotchner: true friend or self-serving pal?)
Samuelson wrote, “It seemed a damn fool thing to do, but a twenty-two-year-old tramp during the Great Depression didn’t have to have much reason for what he did.”
Drum roll: the list is:
So what would make your list? A few of the above escape me but most have stood the test of time.
The Last Interview (Hemingway, Nora Ephron, and Philip K. Dick). This is not to be missed. Sorry you have to copy link into your browser but you will be rewarded. Listening to Maureen Corrigan is rewarding as well. Best, Christine
These are interesting relatively short vignettes/interviews in which the writers noted talk about life issues and writing. The Hemingway interviews print out to about 112 pages. The below link is an NPR link about the interviews and how alike the three writers featured were in their approaches to writing.
Here is a quote from the article: “Despite their differences, in their respective interviews, Hemingway, Dick and Ephron are in harmonious agreement about the writing life: namely that it’s composed of one part inspiration and daily buckets of perspiration. Sure, you don’t expect even the most narcissistic artist to go on and on about his or her own genius in an interview, but the degree to which Hemingway, Dick and Ephron — separated by time period and individual temperament — keep hammering home the same message about writing is striking.”
I just finished reading the Hemingway interviews. All were interesting and I particularly like the one by George Plimpton. When Plimpton asked why Hemingway rewrote the end of A Farewell to Arms 39 times, Hemingway said, “To get the words right.” One point that came through repeatedly was how shy Hemingway was when sober and how unwilling he was to talk about his writing “process” or theory. He felt that to try to analyze his “style” or “technique” might destroy it and he assiduously did not want to talk about those issues. In fact, he didn’t really want to be interviewed at all but was polite. At times he rambled but these interviews were during periods when Hemingway was suffering bouts of poor health. Hem is described as seeming old and lonely.
I think you will enjoy them. Two were done in the late ’50s. One was done in 1960, which is a year before his death. Best, Christine
https://www.npr.org/2016/01/11/460692534/revisiting-the-last-interview-of-ernest-hemingway-philip-k-dick-and-nora-ephron?ft=nprml&f=460692534
I’ve published this before. Maybe it’s just me but i find this article hilarious. some comments are politically incorrect but hey, it’s a Hemingway satire. HOW TO TELL IF YOU ARE IN A HEMINGWAY NOVEL. SO i hope you get a chuckle and perhaps a cringe at a few. . Best, Christine
1. Everyone you know respects you. This disgusts you.
2. The door is white and the day is hot. This pleases you.
3. A Jewish man believes you are his friend. This disgusts you.
4. You are a man. A man! A man is a man like a tree is a tree.
5. A Greek man is shouting incomprehensibly at you. This is why you are drunk.
6. You have lost something in a war. This is why you are drunk.
7. A woman is looking at you. She is wearing her hat in a manner you find unbearably independent and mannish. You despise her.
8. You are standing on top of a mountain. The mountain admires you for climbing it. You do not care what the mountain thinks of you, and you light a cigar. The cigar admires you for smoking it. You sneer casually at the sun. Somewhere there is a white door.
9. You are shooting a large animal but thinking about a woman. You cannot shoot her. This infuriates you.
10. You met a homosexual once in Paris. It took you two years snowshoeing across the backcountry in Michigan to recover.
11. You have said goodbye to a young girl with a white face on a black train. You are ready to die.
12. Waiter bring me another rum
13. You hate every single one of your friends. You have no friends. You are alone at sea. How you hate the sea, but how you respect the fish inside of it. How you hate the kelp. How indifferent you are to the coral.
14. Your stomach hurts; that is how you know you are alive.
15. You are standing in a river and something is coming to kill you. You will welcome it with open arms and a booming laugh when it comes.
And the Public has Spoken! Most popular works by Hemingway.
Dear Readers: I prefer not to post links to make you go to another site but this one would not copy. It is worth a look and fun. Do you agree re the 7 most popular claimed? Thanks for reading! Best, Christine
Happy Birthday, Mr. Hemingway. Thank you.
THE LOST GENERATION: This is a fun, interesting, and wonderful article. Best, Christine
What was the Lost Generation? (And is this Term a Misnomer?)
The Lost Generation refers to writers and thinkers whose youths were overshadowed by the Great War, leaving them feeling lost and eager to escape the US for Europe.
Though never a closed and coherent movement as such, the Lost Generation refers to a group of (mostly, though not exclusively) American writers and thinkers who found themselves disillusioned with and cast adrift from post-war American society during the 1920s, often settling in Paris where they pursued more artistically liberated lifestyles. When used in its literary context, the term “the lost generation” has been attributed to Gertrude Stein by Ernest Hemingway. Hemingway himself, however, took exception to the term. This article lists six notable writers and thinkers often associated with the lost generation and asks whether – as Hemingway suspected – the lost generation should be considered something of a misnomer.
Though she was born in Allegheny, Pennsylvania on 3 February 1874, Gertrude Stein spent time in Vienna and Paris as a child before moving to Paris as an adult in 1903, where she would remain until her death in 1947. Here, she hosted a literary and artistic salon, where she gathered around her the leading artists and writers in Paris at the time, including (at various points) Pablo Picasso, Ernest Hemingway, Ezra Pound, Sherwood Anderson, Sinclair Lewis, F. Scott Fitzgerald, Henri Matisse, Francis Picabia, and Carl Van Vechten.
It was also in Paris where she met another American abroad who would go on to have a profound impact on the rest of her life. On 8 September 1907, Stein met Alice Toklas, with Toklas having just arrived in Paris that very day. They soon became lovers, with Toklas taking on the domestic duties, and would remain together until Stein’s death. Toklas developed a passion for French cuisine and would cook elaborate meals not just for Stein but for Stein’s esteemed artistic and literary guests. And while Stein entertained the members of her salon, Toklas entertained the wives and partners of the artists and writers in attendance.
Stein’s commitment to Parisian life was unparalleled by anyone else associated with the lost generation. Even during the Second World War, when France came under Nazi occupation in June 1940, Stein resisted the exhortations of friends and family members to leave Paris and return to the United States, claiming that to leave Paris “would be awfully uncomfortable and I am fussy about my food.”
2. Sylvia Beach
Born on 14 March 1887 in Baltimore, Maryland, Sylvia Beach, like Gertrude Stein, had spent time in Paris as a child when the Beach family moved there when her father, Sylvester, was made an assistant minister of the American Church in Paris in 1901. The family returned to the United States in 1906, and during the First World War, Sylvia worked for the Balkan Commission of the Red Cross. Following her time spent in Europe as part of her work with the war effort, she decided to return to Paris to study contemporary French literature.
It was in Paris at this time that she met Adrienne Monnier, owner of the bookshop and lending library La Maison des Amis des Livres. The two became lovers and stayed together until Monnier’s death by suicide in 1955. With Monnier’s help, she went on to found the famous Shakespeare and Company bookshop.
Here, she was approached by James Joyce, who asked Beach to help publish his novel, Ulysses. At her own financial and personal risk, Beach published Ulysses in 1922. A year later, she was also instrumental in publishing and disseminating Hemingway’s first book, Three Stories and Ten Poems.
However, Beach received little financial gain from the publication of Ulysses. Despite having published his novel, advocated on his behalf during copyright disputes, and contacted potential reviewers, Joyce sold the rights to his book to Random House.
3. T. S. Eliot
While most members of the lost generation are associated with Paris, T. S. Eliot’s stint in the French capital was relatively brief. From 1910 to 1911, he studied philosophy at the Sorbonne, where he was influenced by Henri Bergson and Henri Alban-Fournier. He continued to visit Paris after this stay.
London, rather than Paris, was to be the European city where Eliot settled. He first came to England in 1914 to take up a scholarship at Merton College, Oxford University, where he was to study for his doctorate. Merton College had a relatively large quota of American students at the time. Nonetheless, Eliot struggled to feel at home in Oxford and instead spent most of his time in London, where he met Ezra Pound and other important literary figures of the time.
His marriage to the English Vivienne Haigh-Wood in 1915 also further committed Eliot to live in London. It was to prove an unhappy union, however, and Eliot channeled this unhappiness – as well as a sense of wider cultural disenchantment – into his seminal 1922 poem, “The Waste Land.”
Even once Eliot and Vivienne had separated; however, Eliot remained in London, taking British citizenship and converting from Unitarianism to Anglicanism in 1927. While other members of the lost generation valued Paris for the freedom it allowed them in contrast with American society, Eliot seemed determined to ensconce himself in British establishment values during his time in London, declaring himself a “classicist in literature, royalist in politics, and anglo-catholic in religion.”
Edward Estlin Cummings was born on 14 October 1894 to Unitarian parents (much like T. S. Eliot), who recognized and nurtured his literary talents from a young age. Also like Eliot, Cummings studied at Harvard, graduating magna cum laude in 1915.
In 1917, he enlisted in the Norton-Harjes Ambulance Corps in order to support the war effort. Before taking up his official duties, however, he spent five weeks exploring Paris and fell in love with the city. His relationship with France was not always smooth sailing, however. During his work in the Ambulance Corps, he was imprisoned in a French military detention camp in Normandy, as the French officials suspected his loyalties. He later drew on his experience in military detention in his 1922 novel, The Enormous Room.
Upon his return to the United States in 1918, he was drafted into the army. Following his release, he returned to Paris in 1921, where he lived for the next two years. Throughout the 1920s and 30s, he continued to visit Paris. Nonetheless, Cummings never settled there, preferring to visit regularly while maintaining close ties to America.
5. F. Scott Fitzgerald
F. Scott Fitzgerald is most famous for his novelistic depictions of the American jazz age in all its flamboyance and excess. However, his most famous novel, The Great Gatsby, was finished during his travels in Europe.
Fitzgerald left America for Europe in 1924, along with his wife Zelda and young daughter Frances. Having already begun work on The Great Gatsby in 1923, he finished the novel during their stay on the French Riviera. Here, marital tensions with Zelda reached their peak, and the family moved around Europe, settling first in Rome before splitting their time between the French Riviera and Paris.
It was during their time in Paris that Fitzgerald met other figures now associated with the lost generation, including Gertrude Stein, Sylvia Beach, and Ernest Hemingway. While Fitzgerald and Hemingway struck up a friendship, Hemingway disliked Zelda, believing that she hampered Fitzgerald’s ambitions to be a serious writer. It was true that their marriage had never been a particularly happy one, but when the Fitzgerald family returned to the United States in 1926, their marriage was in tatters.
Things were soon to get even worse for Fitzgerald during the Great Depression. His tales of flappers and flamboyant parties seemed out of touch with Depression-era America. As the critic Matthew Josephson quipped in 1933, most Americans could not afford to vacation in Paris and drink champagne. While this, of course, was true of most Americans even before the Depression, it was even more evident in light of America’s economic downturn. Upon his death in 1940, Fitzgerald believed that his career as a writer had been a failure.
6. Ernest Hemingway
Born 21 July 1899 in Oak Park, Illinois, Ernest Hemingway is often seen as an all-American writer. However, some of his earliest formative experiences were owed to his service as a volunteer ambulance driver on the Italian frontline in the First World War. Having been rejected from the US army due to poor eyesight, Hemingway went on to be awarded the Italian War Merit Cross (the Croce al Merito di Guerra), aged just eighteen. His wartime experiences were later fictionalized in his novel, A Farewell to Arms.
After the war, he returned to America, though he was eager to pursue his dream of becoming a writer in Paris. The move to Paris had also been advised by Sherwood Anderson, and, as life in Paris was comparatively cheap at that time, there were also practical financial motivations, such as a favorable exchange rate – as well as the city’s literary and artistic cachet – for Hemingway to take into account.
In 1921, he married Hadley Richardson, and the couple moved to Paris. Working as a foreign correspondent for the Toronto Star Weekly, here in Paris, Hemingway met Ezra Pound, James Joyce, and Gertrude Stein and became part of a community of expat writers who would come to be known as the lost generation. As a matter of fact, Stein became godmother to Hemingway’s son, Jack, and he popularized the term “the lost generation” (which had been coined by Stein) in his 1926 novel, The Sun Also Rises. However, by the time Hemingway left Paris in 1927, he and Stein were estranged.
This article began by posing the question: is the lost generation something of a misnomer? Certainly, Hemingway came to think so. While the main characters in The Sun Also Rises can be described as disillusioned and adrift, the novel’s title is taken from Ecclesiastes, which is quoted as one of the novel’s epigraphs: “One generation passeth away, and another generation cometh; but the earth abideth forever… The sun also ariseth, and the sun goeth down, and hasteth to the place where he arose…” (see Further Reading, Hemingway).
This passage is ironically juxtaposed with Stein’s statement: “You are all a lost generation.” By placing these two statements side by side, Hemingway seems to ironize Stein’s pronouncement, suggesting as he does that, for all the social upheaval and the horrors of the First World War, this generation had emerged from the war-scarred but stronger, and certainly not “lost.”
Further Reading
Cummings, E. E., selected poems: 1923-1958 (London: Faber and Faber, 1997).
Eliot, T. S., The Complete Poems and Plays (London: Faber and Faber, 2004).
Fitzgerald, F. Scott, The Great Gatsby (London: Penguin, 2000).
Hemingway, Ernest, Fiesta: The Sun Also Rises (London: Arrow Books, 2004).
Hemingway, Ernest, A Moveable Feast (London: Arrow Books, 2000).
Rhys, Jean, Good Morning, Midnight (London: Penguin, 2000).
Stein, Gertrude, Three Lives (London: Penguin, 1990).
Addendum: The end of Hem’s letter to Mary Lou
Hemingway Reflects on Writing and Death in Unpublished Letters
I think “girlfriend” is being used rather loosely but I can’t wait to see these letters. It was late in his life so I am interested in what Hemingway expressed. Best to all, Christine
Hemingway: two unpublished letters appear to his girlfriend
The Raab Collection, an antiquarian gallery in Ardmore, in the state of Pennsylvania, which specializes in historical documents, has announced that it has come into possession of two “powerful and revealing” letters from Ernest Hemingway (1899-1961) to a girl, concerning writing , life, filming “The Old Man and the Sea,” fishing, traveling, and perhaps most importantly, death and the afterlife (“No second thoughts will help you, and when you’re dead you’re dead for a long time,” he wrote), including his near-death experience in two plane crashes.
They also shed light on a touching and interesting episode from the life of the US writer who was awarded the Nobel Prize in Literature in 1954. The letters have been kept by the recipient and her family since they were written in 1955 and are apparently unpublished. The Raab Collection intends to sell them for the first time this spring. Hemingway wrote both letters while living at Finca Vigia, his estate outside Havana, Cuba, to an American student named Mary Lou Firle, whom he had met shortly before. Mary Lou kept her letters, hiding them in an upstairs closet, which saved them from ruin when Hurricane Sandy slammed into her family’s Long Island home in 2012, flooding it.
“These letters let us discover the daily life of Hemingway and the people he inspired and touched,” said Nathan Raab, director of the Raab Collection and author of the recent book “The Hunt for History” (Scribner, 2020). “It was a pleasure to find them and learn about Mary Lou’s life.” In January 1955, Mary Lou, a sophomore at the City College of New York, traveled to Havana to meet her boyfriend Morris, a naval officer on leave. While she was on the island she intended to find a way to meet Hemingway. After Morris’s departure, she telephoned the writer unexpectedly, who, due to a misunderstanding of her, which she encouraged, assumed that she had been referred by a mutual acquaintance. The writer sent his chauffeur to pick her up and they spent an afternoon together. She visited her home and the two agreed to keep in touch. He even promised to send her animal skins from a recent hunt. Hemingway jokingly gave her the nickname “Black Kraut”, due to her resemblance to Marlene Dietrich, whom he called “Marlene Dietrich”, as well as her tan and her German origins. Later that year, she Mary Lou wrote to the Nobel Laureate asking him to take a trip to Cuba that summer. Hemingway, who was filming The Old Man and the Sea, sent her a long reply. After two recent plane crashes, the Nobel laureate reflected on life and death. In October 1955, Mary Lou turned to Hemingway again.