The Chicago Historical Museum is having a competition for the theme of its next exhibits. One of the four finalists is Chicago area authors. Others are Chicago’s neighborhoods, prohibition, and architecture. All are worthy topics but the author theme includes Hemingway who grew up in a suburb of Chicago, Oak Park.
Aside from being thankful for Hemingway, I wish all a great holiday. The above link is really clever: Literary posters with quotes. Hemingway’s is: WRITE DRUNK. EDIT SOBER. (He actually did not write when drunk, or at least not often.)
Sometimes it feels like you can’t move an inch without hitting something very Hemingway related. From the recent book about Hadley (The Parisian Wife) to Zelda Sayre Fitzgerald’s life story (Z) to a show in the Berkshire’s about Hemingway and Fitzgerald and their last encounter, and Woody Allen’s delightful Midnight in Paris, it seems that Hemingway remains relevant and his ripples are felt regularly, especially in the arts.
The latest entry to this group is the new Robert Redford film, All is Lost. Called by several critics “Robert Redford’s greatest performance,” he has two words of dialogue in the whole film. While stranded on his boat, which has been disabled in the middle of the Indian Ocean, he has a struggle with a huge marlin, not unlike Hemingway’s Santiago, and ultimately is hoping just to survive. While the modern character moans “God,” it’s followed by the universally understaood, albeit uncouth, word of despair, “f***!”
Instead, Hemingway’s dialogue from Santiago is: “I am not religious” he says aloud, alone in his skiff holding the line, hands bleeding, muscles aching, as he battles the great fish. “But I will say ten Our Fathers and Ten Hail Marys that I should catch this fish. And I promise to make a pilgrimage to the Virgin of Cobre if I catch him.”
As I wrote somewhere earlier in this blog, many Hemingway readers are not fans of fishing, bull fighting, war, or hunting. In fact, many of us don’t like those topics at all. However, we are fans of man’s humanity, of man’s and women’s will to live, of surviving despite defeat with head jerked high, and of love that is worth all sacrifice. Those were Hemingway’s themes and topics. It’s what keeps many of us coming back to him.
In a three-page short story, he can move a reader to tears. In The Snows of Kilimanjaro, a long short story, we all understood Harry’s life and what had happened and how he had lost himself. Harry, built loosely on Hemingway himself, had always feared death and now that’s he ‘s faced with it, he steps back and almost analyzes it from the outside. He’s frankly too exhausted and weak with fever to fight it and he accepts it as it’s due, as it lurks outside of his tent, a hideous hyena with bad breath, waiting. What he regrets is that he won’t have time to write the other stories that are in his head and the loss of so many of the things that he loved doing, the loss of love, the hurt to those that were loyal to him. Who can’t relate to that on each of our own personal levels?
That’s why Hemingway never gets old and we overlook some of the things that don’t resonate with us because most of it does. A bullfight is a life struggle; hunting can be a battle to survive; and love can be the greatest loss and triumph of your life.
A few weeks ago, I was bemoaning how to relate my trip to Ireland in May to my Hemingway obsession and I just came across an article about a new biography of Maeve Binchy, the great Irish novelist who cultivated the cozy neighborhood story to high art and who passed away recently. She wrote many novels, usually about the west country of Ireland which is where I was. Her writing style, her topics, and her resolutions are/were about as far from Hemingway as you can get but the article was fun and began with a famous Hemingway belief.
“It was famously laid down by Ernest Hemingway that the first condition for a writer is to have an unhappy childhood. I assumed that Maeve Binchy was the exception to the Hemingway principle, as she always spoke about the idyllic nature of her childhood.”
So, I qualify! My childhood is a story for some other longer post, probably in some other blog that focuses on Dickensian beginnings. I was born in NJ; my parents died 5 months apart when I was seven; the court became involved, and the story goes downhill from there in certain ways but also uphill in other ways.
Hem in some ways had a good childhood in the sense that his family was large; his father took him hunting and fishing; and there were family vacations at a lake in Michigan yearly that formed the basis of many of the short stories. Hem got his love of the outdoors and nature while on the lake in Michigan with many friends and family. However, Hem’s relationship with his mother was always a struggle and his father was a more shadowy figure in Hem’s life, who ultimately killed himself. His mother later sent the gun to Ernest as a gift. Huh? .
So tell me about a great writer who had a great Rockwellian childhood! I’d like to hear about it.
I’ll be posting about the Hemingway/Fitzgerald connection in a few weeks. However, this is timely.
I just read the above review in the New York Times. I’m a few weeks behind on my reading but this is the review of a play depicting a last meeting between Hemingway and Fitzgerald. It’s fictional and takes place in 1937, about 4 years before Fitzgerald died of a heart attack and Hem was working fairly well around that time. There is a comment that Hemingway is “slyly” trying to undermine Scott’s comeback. I don’t know why so many commentators feel the need to emphasize–unfairly and incorrectly, in my opinion–Hemingway’s bluster and dominance. He was all that but I see little effort to equally point out his generosity and kindness. And while there is no question that he felt literary rivalry with Scott, there is little if any evidence that he tried to undermine him or sabotage his success. While he took a swipe at Scott in A Moveable Feast, let’s recall that Hem never edited or finished it. It was published post-humously and edited first by Mary and a subsequent edition by his grandson. That whole section may have gone out or been amended significantly had Hemingway lived to complete it himself.
Anyway, both Hemingway and Fitzgerald continue to be a draw and to fascinate the next generation, perhaps equally for their lives and their legend as for their writing.
This documentary is tracking Hem’s early years and the time spent on Walloon Lake in particular. The Lake in some ways, as the documentary believes, served as his muse for many of the early short stories.