Hemingway Myth #2: Mr. Hemingway Drinks a little

Actually he drank a lot but it didn’t start out that way. He drank socially although significantly. He did not drink while working. On one occasion when asked by a journalist if he drank while writing his novels and short stories, he said,

“Jeezus Christ! Have you ever heard of anyone who drank while he worked? You’re thinking of Faulkner. He does sometimes – and I can tell right in the middle of a page when he’s had his first one. Besides, who in hell would mix more than one martini at a time?”

Hi favorite drink, contrary to some claims, was not the mojito, but a very dry martini, very very cold. He also, contrary to other claims, did not invent the Bloody Mary (the claim being that it was named after his fourth wife, Mary), during what was to be the equivalent of a period of drinking celibacy and that he used the tomato base to disguise the vodka. Good story but not true.

Drinking began early, probably at age 17 and then more drinking while in Italy during the war. Then, once he moved to Paris with Hadley, “the cafes, bars and bal musets became rallying points, look around the table and you might see the brightest minds of the Lost Generation—F. Scott Fitzgerald insanely drunk on champagne, Ezra Pound sipping absinthe, Gertrude Stein enjoying a fine red, James Joyce savoring scotch and Ford Maddox Ford sending back a brandy for the fourth time. They drank up liquor, they drank up life, they drank up each other.” Quote from Hooching with Hemingway by Frank Rich.

Hem was highly critical of Scott Fitzgerald’s drinking in their salad days, claiming it sapped Scott’s creativity, in addition to Zelda doing the same. He was annoyed by Fitzgerald’s alcoholism and occasionally criticized his writing in public. Hem and Zelda hated each other and there was never a détente in those feelings. Hem clearly did not see himself falling deeper into the alcoholic lifestyle as the years passed.

By the time Hem left Paris, his drinking habits had changed. “Where before he’d been a classic binge drinker, he now kept a steady bottle-killing pace. The transition had taken place just months earlier, after Hadley had lost a trunk containing most of his early work, literally years of labor. Crushed, Hemingway turned to alcohol as a means of drowning his bitter rage—when the anger came, he would slip down to the cafe and drink brandy and carouse with friends until happiness seeped back in. Quote from Hooching with Hemingway by Frank Rich

Hem also had fun with it. When Jigee Viertel revealed one evening that she had never had a drink of hard liquor, Hem was astounded. When she indicated a desire to try one, he suspended all that he was doing to consider whether Jigee— now in her mid-thirties— should end her tee totaling and if so, what the proper first drink was. Hem thought she should at least try a drink. He ran down options from a Bloody Mary, to a Manhattan to various gimlets. Finally he decided only a Scotch Sour would do. Jigee broke into a smile at the first sip, and Hem said, “It’s a good omen.” (A.E. Hotchner Papa Hemingway Page 60-61)

Hem brought his own booze to Spain or had it supplied; he kept it on his boat in great abundance. While he went through periods of abstinence, it never lasted and it was his pacifier of choice. My own reading leads me to think that initially, he became gregarious but once a certain point was passed, he perhaps became overly verbose and cantankerous. There is that thin line between wonderful raconteur and domineering ego-maniac who keeps going to the point of becoming a boor and a bore. I don’t know if that was so in Hem’s case but I think it happened in the later years.

Sadly, alcoholism did play its role in Hem’s demise and decline. It appears to have ravaged other relatives after him too. Sad to consider other works that Hemingway may have written absent depression and alcoholism.

The below site talks about Hem’s drinking and some specifics. Interesting article. Check it out.

http://www.foodrepublic.com/2012/10/30/7-things-you-didnt-know-about-ernest-hemingways-dr

http://austin.eater.com/archives/2013/04/10/modern-mixologist-tony-abouganim-on-hemingways-cocktails-brazilian-boozing-at-the-austin-food-wine-f.php

Why the Hemingway Collection is in Boston.

full quote of “the world breaks everyone”

The largest collection of Hemingway letters and memorabilia is in Boston, Massachusetts at the John F. Kennedy Library and Museum. Mary Welch Hemingway, Hem’s fourth wife, made that selection. While Hemingway and John Kennedy never met, Kennedy respected Hemingway’s writing and person. In his own Pulitzer Prize winning book, Profiles in Courage, Kennedy cited Hemingway’s description of courage, writing that, “This is a book about the most admirable of human virtues — courage. ‘Grace under pressure,’ Ernest Hemingway defined it.”

Hemingway was invited to President Kennedy’s inaugural address but he had to decline due to ill health. The inauguration was in January 1961 and Hem died in July 1961. While there was a ban on travel to Cuba in 1961 due to the tension from the Bay of Pigs incident, Mary was permitted to return to the Finca, their home in Cuba, to retrieve papers and personal possessions after Hemingway’s death. The Kennedy Administration worked to make this possible. Fidel Castro personally promised safe passage for Mary so that she could collect and ship artwork, notes, letters, and beloved possessions.

There were many suitors for these prized items. Mary maintained her connection with the White House and was the guest of President and Mrs. Kennedy at the White House dinner for the Nobel Prize winners in April, 1962. Hem was honored as one of America’s distinguished Nobel laureates and Frederic March read excerpts from the works of three previous Nobel Prize winners, Sinclair Lewis, George C. Marshall, and Hemingway – the opening pages from his then-unpublished Islands in the Stream.

In 1964, Mary contacted Jacqueline Kennedy and offered her husband’s collection to the John F. Kennedy Presidential Library and Museum, which was still in the planning stage with the intent that it be a national memorial to John F. Kennedy. The collection included drafts of various novels of Hemingway, rewrites, and a sense of how he wrote and revised.

In 1972, Mrs. Hemingway deeded the collection to the Kennedy Presidential Library and began depositing papers in its Archives.

On July 18, 1980, Patrick Hemingway, Hem’s older son with his second wife, Pauline Pfeiffer, and Jacqueline Kennedy Onassis dedicated the Hemingway Room in the JFK Library.

Patrick Hemingway 2013 — Patrick Hemingway 2012 at Hemingway library

I’m going to visit it again in a few weeks. If any of you have been, I’d love to hear your impressions. I always get a thrill seeing a photo that I haven’t seen before. It makes it all come alive for me anew. The building itself is modern, a short cab ride away from Fanneuil Hall in downtown Boston, on the water and still being developed. For those of us who love and follow Hemingway, it is worth the detour. There was the original notes that Scott Fitzgerald gave Hemingway for The Sun Also Rises. That will give you shivers.

Kennedy Library, home of the Hemingway Collection, Boston

Hemingway Myths: MYTH ONE

Hemingway Myths

Always do sober what you said you’d do drunk. That will teach you to keep your mouth shut. Ernest Hemingway

MYTH 1 Hemingway cultivated the macho image because he wasn’t really.

Actually he really was all that and more. Macho that is. While we can quibble about what macho means, for the purpose of this post, I’m defining it as what is typically deemed manly, not terribly sensitive, and swaggering. Webster’s defines it as ” characterized by qualities considered manly, especially when manifested in an assertive, self-conscious, or dominating way.”

He was all of that although Hem had tons of sensitivity or he could not have written as he did.

I'm sensitive and macho. — I’m sensitive and macho.

There is no doubt that Hem was brave. In book after book that I’ve read, Hemingway is admired and lauded for true bravery. He was self-sacrificing in Italy as an ambulance driver going back for the wounded when he could have chosen not to. The wounds from Italy stayed with him all of his life.

He was crazy but courageous in Pamplona. That was all in youthful fun. It was more serious in the Spanish Civil War. While a journalist in Spain, during the civil war, his steadfast nerves during bombings and his intent focus on getting the story out in as true a form as possible, and helping others who were in jeoparday, are all legendary. (Martha Gellhorn by the way was equally brave. She was in the thick of it and a stalwart. Hem loved that about her and their love truly blossomed while in Spain and in the midst of war. Both behaved very admirably.)

While living in Key West and then Cuba, Hem ran the “Crook Factory” and trolled the Carribean with his cronies for German subs and bombs. They could have been blown up themselves. While perhaps Hemingway was a bit of a boy looking for adventure, he was not a coward. He liked his comforts but was ok roughing it too. When in China with Martha on a trip he had not wanted to take, Martha hated the dirt, the rustic accomodations, but that did not bother Hem at all. He was happiest talking to the locals at a pub, or in a simple home. He was no snob. Usually by the time Martha got home, an entourage was assembled and drinking, much to her distress. And then there were the plane crashes. More on that in another post.

Still he was real, strong, and brave. No phoney there although he could exaggerate. Other myths will be discussed although not necessarily next week. I’ll surprise you. Write to me please about your favorite myths. Also many of you out there know more than I do so chime in if I’ve got it wrong or if you think he was a phony. I’m interested.

Hem’s Key West Home

http://www.huffingtonpost.com/2013/05/04/ernest-hemingways-house-key-west_n_3211443.html?ir=HuffPost+Home#slide=2409783

Lovely photos of the Key West house Hem lived in with his second wife, Pauline Pfeiffer.

Hemingway and the Movies

Hemingway’s big novels have all been made into movies, some several times. He

Movie Marquee — Saturday Night at the Movies

claims to have hated to go to see his books as cinema. Aside from enjoying the paycheck that came with the adaptations, (he was paid $ 80,000 for A Farewell to Arms in 1932, which was an enormous sum in those day and $ 150,000 for the rights to The Old Man and the Sea in 1958) he was disturbed to see the ending of A Farewell to Arms altered in the first movie version. Death is apparently unacceptable and well, a downer, we know, but that was the true ending. David O. Selznick did better in the 1955 version but Hem was still not thrilled. The entire production of The Old Man and the Sea was a frightening tug of war among all involved.

“Hollywood only made the kind of pictures that people wanted to see and the public had bad taste”, Hem opined.

Still, over fifteen of his short stories and novels were adapted for movies, and Hemingway became a Hollywood star leading to a major gripe he had with Hollywood: that it had no respect for his need for privacy and he became a product available for marketing or, put less benignly, image exploitation. He did not like that one bit.

A few of the novels/short stories that were made into film were:

A Farewell to Arms (1932): Gary Cooper, Helen Hayes ( The ending was changed so that Catherine lived. More recent adaptation called In Love and War with Sandra Bullock and Chris O’Donnell.

For Whom the Bell Tolls(1943): Gary Cooper, Ingrid Bergman

Cooper and Bergman — Gary Cooper and Ingrid Bergman as Robert and Maria

To Have and Have Not (1944): Humphrey Bogart, Lauren Bacall

The Snows of Kilimanjaro (1952): Gregory Peck, Ava Gardner, Susan Hayward. Ending changed so that Gregory Peck lives.

The Sun Also Rises (1957): Ava Gardner, Tyrone Power, Errol Flynn.

The Old Man and the Sea(1958): Spencer Tracy. Anthony Quinn and Tracy had lobbied hard for the role and Tracy won out. Hemingway thought he was too portly for the role of the gaunt Santiago. This movie was two years in development and another two years in production. It was beset with troubles upon troubles despite being a one character story. Hemingway’s contempt for Hollywood was well known but he reacted badly to the first screenplay by Paul Osborn which eliminated all flashbacks and narration and added whole new scenes. Hemingway insisted that Osborn be replaced by Peter Viertel, who had adapted the Sun Also Rises to the screen. Hemingway was named technical advisor. The movie ultimately garnered respect and Academy Award nominations but not before Spencer Tracy almost walked off the set, started drinking during the filming, and tore up a bar with Hemingway.

Ultimately, Hemingway was cynical about Hollywood and his literature. He once said “that the best way for a writer to deal with Hollywood was to meet the producers at the California state line, throw them your book, they throw you the money. Then you jump into your car and drive like hell back the way you came.” Oliver. A Hemingway Retrospective.

All was not a loss however. He met Marlene Dietrich, Ava Gardner, Gary Cooper, Howard Hawkes, and Ingrid Bergman, who all became close friends, especially Gary Cooper.

Next post, I’m going to suggest who could play these roles in modern versions. I have ideas and am interested in yours!

Hem and the Revised A Moveable Feast

You love both and you lie and hate it. It destroys you and every day is more dangerous and you work harder and when you come out from your work you know what is happening is impossible, but you live day to day as in a war. Ernest Hemingway, A Moveable Feast

moveable feast modern bookcover — A Moveable Feast

It’s a story as old as the ages. Boy meets girl, boy loses girl, boy gets girl, girl loses boy to other girl. I always knew that Hem loved Hadley best. It could just be that Hem and Hadley were together at the beginning, before he was THE Ernest Hemingway. She loved him when he was just Wemedge, Tatie, and Ernie. She willingly used her modest trust to fund their life in Paris, a truly fruitful time for Hemingway in terms of creativity, useful alliances and friendships, and ambiance. While Hem had been in love before, most notably with Agnes Von Kurowsky, the nurse in Italy (more of her in some other post perhaps), Hadley and Hem seemed connected at the hip in the early years. Even when Hem was not thrilled by the announcement of a baby being on the way, he by all reports adored Jack aka Bumby and was a good father to all three of his boys. His longing for a daughter remained always unfulfilled. But I digress.

Pauline has been portrayed as a Mata Hari sort of figure in most biographies including the originally edited version of A Moveable Feast. Mary, Hem’s fourth wife, edited the first version and Aaron Hotchner chose the title, which is a tour de force. The first version was published in 1964 just three years after Papa’s death in July 1961 and Mary was known for protecting the Hemingway legacy fiercely. It is clear that her view of the past colored the decisions as to which incidents were included in the book and which were not. However, that being said, she also must have had some insight into how Papa experienced those events as they had a long marriage and Papa was a raconteur. I presume Mary heard a lot about the Paris years.

Gertrude Stein and Bumby — Gertrude Stein, Godmother to Bumby

The new version of A Moveable Feast , published by Hemingway’s regular publisher, Scribner’s, was edited by Sean Hemingway, son of Patrick Hemingway, one of Hem’s son with Pauline. It is more generous to Pauline. The new version allegedly presents material in a truer, less edited form and relies on a typed manuscript that is said to have been the last draft that Hem worked on, with his original handwritten notations followed more truly. One famous passage about Hemingway’s pain at still loving loyal Hadley but being in love with Pauline with whom he has just had a tryst reads:

When I saw my wife again standing by the tracks as the train came in by the piled logs at the station, I wished I had died before I ever loved anyone but her. She was smiling, the sun on her lovely face tanned by the snow and sun, beautifully built, her hair red gold in the sun, grown out all winter awkwardly and beautifully, and Mr. Bumby standing with her, blond and chunky and with winter cheeks looking like a good Vorarlberg boy.

Hemingway did not include this episode in his final manuscript but rather in other notes and it was Mary who included it at the book’s end where it packs a punch.

For those interested in legal “stuff”—and I am—Hem had little in the way of money when he and Hadley divorced. It was 1926 and The Sun Also Rises was about to be published. Hem wrote the first draft in eight weeks and all of his cronies were in it except Hadley–which hurt her. After the divorce hit, Hem wrote to Hadley offering her the royalties for life as alimony and child support for Bumby. At that point, no one knew if the book would flop and earn nothing or . . . be what it ended up being. As it turned out, it was the gift that kept giving. Hadley, ever gracious, accepted the offer as a settlement with no recriminations. She had faith in him but it also was just not her way to push and accuse. (Hadley went on to have a long, apparently happy marriage but no more children but she always seemed to have a love for Hemingway. Margaux and Mariel Hemingway were her grandaughters, Jack’s children. Hadley died in 1979; Pauline passed in 1951 and that’s definitely another post.) The Paris years provided writing material to Hem forever in different iterations.

Hem dedicated The Sun Also Rises to Hadley and John Hadley Nicanor in a final gesture of respect and love, regret and loss. (This book is for Hadley and John Hadley Nicanor.) The “Nicanor” was the name of a Spanish matador Nicanor Villalta y Serris, whom Hem had taken a shine to the year of Jack’s birth.

Hem moved on to a wealthier woman in Pauline who could fund his writing although I never saw Hem as an opportunist in that way. Money was part of Pauline’s package and mystique but he loved her and wanted her not because of that. It just came with her.

There will be more about Hem and his divorces and wives in the future, but the first seems to have been sweeter than the rest, to quote Joan Osborne.

For more on the reediting: : http://www.smithsonianmag.com/arts-culture/A-New-Taste-of-Hemingways-Moveable-Feast.html#ixzz29CWEvWSF

Oops! Famously Scathing Reviews of Classic Books From The Times’s Archive: one of a Hemingway novel which admittedly was not his best. Read on. Best, Christine

We called “Sister Carrie” a book “one can get along very well without reading,” dismissed “Lolita” as “dull, dull, dull,” and had nothing nice to say about “Howards End.”

A clip from The Times's review of the book "Ulysses," by James Joyce, when it came out in 1922. — A clip from The Times’s review of the book “Ulysses,” by James Joyce, when it came out in 1922.

By Tina Jordan

March 9, 2019

What can we say? We don’t always get it right. Here’s a look back at some of our most memorable misses.

“Shall we frankly declare that, after the most deliberate consideration of Mr. Darwin’s arguments, we remain unconvinced?”

On the Origin of Species, by Charles Darwin (1860)

“The average intelligent reader will glean little or nothing from it … save bewilderment and a sense of disgust.”

Ulysses, by James Joyce (1922)

“This Salinger, he’s a short-story guy.”

The Catcher in the Rye, by J.D. Salinger (1951)

“As discouraging as a breakfast of cold porridge.”

Collected Poems, by W.B. Yeats (1896)

“There are two equally serious reasons why it isn’t worth any adult reader’s attention. The first is that it is dull, dull, dull in a pretentious, florid and archly fatuous fashion. The second is that it is repulsive.”

Lolita, by Vladimir Nabokov (1958)

“The author’s probable intention was to exhibit a unique development in this little asylum waif, but there is no real difference between the girl at the end of the story and the one at the beginning of it.”

Anne of Green Gables, by L.M. Montgomery (1908)

“It is a book one can very well get along without reading.”

Sister Carrie, by Theodore Dreiser

“A disappointment … not the work of a wise and mature novelist.”

Tender Is the Night, by F. Scott Fitzgerald (1934)

“Not one syllable of what Hemingway has written can or will be missed by any literate person in the world.”

Across the River and Into the Trees, by Ernest Hemingway (1950)

“‘Catch-22’ has much passion, comic and fervent, but it gasps for want of craft and sensibility.”

Catch-22, by Joseph Heller (1963)

“One has a suspicion that Mann likes death scenes.”

Buddenbrooks, by Thomas Mann

“It seems to me to present Mr. James at his worst.”

The Golden Bowl, by Henry James (1904)

“Mr. Forster … evinces neither power nor inclination to come to grips with any vital human problem.”

Howards End, by E.M. Forster (1911)

A version of this article appears in print on March 11, 2019, Section C, Page 5 of the New York edition with the headline: Oops! Scalding Reviews of Some Classics Bubble Up. Order Reprints | Today’s Paper | Subscribe

The Nobel Prize For Literature in 1954

Please listen. Hearing his voice was wonderful.

He did it. He should have done it in 1942 for For Whom the Bell Tolls but the committee was divided; some felt the sexual content was “improper”; no prize was awarded at all that year. It’s a bit sad that the award happened when it did, as Hem was not up to accepting it in person at that time and, I think, would have truly appreciated it. He scoffed at the Nobel Prize for Literature calling it the Ignoble Prize but it mattered to him to be passed over.

Well, he won it for The Old Man and the Sea, his little novella that was to be part of a trilogy.

Listen to the speech on the above link (well it’s just the beginning of the speech) in Hem’s voice. He enunciates his “t’s” and I’m not sure if it was for the purpose of being clear in this speech or if that was his mid-western accent. (If anyone out there knows, please let us know.) He could not make it to the actual ceremony due to the two plane crashes he’d been in and other health matters. John Cabot read his acceptance speech in Sweden and Hem made this recording after.

It’s humble and beautiful–and short.

It’s funny. Words are a writer’s craft and lifeline, yet many writers are not outgoing. Hem apparently was actually shy especially when not drinking and he was always reluctant to engage in public speaking.

Today, given the press for writers to be “out there”, I wonder how he would feel about twitter and facebook for himself. He likely would not have done it in the later years. His privacy became more valuable but of course, by then, he was not ernest hemingway but HEMINGWAY so no need to cultivate the masses.

I wish he’d lived longer.

Pauline Pfeiffer, Wife # 2

“She shot very well this good, this rich bitch, this kindly caretaker and destroyer of his talent. Nonsense. He had destroyed his talent himself. Why should he blame this woman because she kept him well? He had destroyed his talent by not using it, by betrayals of himself and what he believed in, by drinking so much that he blunted the edge of his perceptions, by laziness, by sloth, and by snobbery, by pride and by prejudice, by hook and by crook.”

Ernest Hemingway,The Snows of Kilimanjaro

Pauline Pfeiffer was Hem’s second wife. She was petite, lively, chic, and in love. Since equality in a relationship was not his thing, Pauline seemed to know intuitively that she would have to defer an awful lot of the time to his dreams and wishes. That deference came naturally to Hadley, less naturally to Pauline, and not at all to Martha.

Once Hadley allowed the divorce to take place, Hem seemed less eager to seal the deal with Pauline although he ultimately adjusted and set a date. He wrote to Isabelle Godolphin that “I’m cockeyed about Pauline and going to get married in May . . . I felt like hell before, but now everything is very very good and everyone is feeling swell.”

Hem even became a Catholic for Pauline, who was a true believer. As for Hadley, she went back to New York temporarily, dated various men (and ultimately married journalist Paul Mowrer), and had a cordial meeting with Max Perkins, Hem’s editor. Max had arranged for the direct deposit of royalties from The Sun Also Rises to Hadley’s account. She received them for her life.

Pauline and Hem were married on May 10, 1927 in Paris. In fairly short order, Hadley’s bitterness faded and she became quite friendly with Pauline due to their shared interest in Bumby’s welfare, as well as Ernest’s welfare. Pauline did her best to keep up with Hem, letting him be him, going to Africa, and

finally settling in Key West, a place that Dos Passos drew Hem to, noting its climate, its fishing, and its undiscovered beauty.

Hem needed little more persuading. He and Pauline found a house on Whitehead Street. Jack aka Bumby had a nice relationship with Pauline, who treated him like one of her own boys. She did in fact have two sons with Hem: Patrick and Gregory. Hem by all accounts loved all of his sons (although with Gregory known as Gigi, there was estrangement when he was an adult), and they adored Papa. Being with him was enchanting and he had an air of excitement. Hem said that while not partial to kids, he rather liked these three.

As years passed Pauline and Ernest became cooler to each other. Hem spent time with Jane Mason, wife of Grant Mason, and an affair seems clear. Jane was a flashy, blonde, risk-taker, and not emotionally stable. She later jumped from a balcony. Whether Jane did so purposely or accidentally, is not clear but most believe it was a suicide attempt. Jane survived. Hemingway, per Bernice Kert, author of a wonderful and fascinating book about all of Hemingway’s women (and aptly called The Hemingway Women) avoided emotionally unstable woman. This seems true as Hadley, Pauline, Martha and Mary were all strong, intelligent, stable women. Even his closest women friends such as Marlene Dietrich were women with good heads on their shoulders.

Kert in her book, page 262, cites a story about Hem and Dietrich meeting. She notes that on his way back to NY from Paris on the Ile de France, Dietrich recalled, “I entered the dining salon to attend a dinner party. The men rose to offer me a chair, but I saw at once that I would make the thirteenth at the table. I excused myself on grounds of superstition, when my way was blocked by a large man who said he gladly would be the fourteenth. The man was Hemingway.” This is what Pauline was up against.

Ultimately, Hem left Pauline for a younger flashier model: Martha Gellhorn. He doesn’t seem to have had the sentimental look back at Pauline that he had at Hadley although he does praise her spirit in going to Africa with him, even though it meant leaving their sons for a significant period of time.

Pointedly, A Farewell to Armswas is dedicated to Uncle Gus, Pauline’s uncle, not to Pauline.

When he left, a great deal of Hem was left in Key West as he moved on to his next home in Cuba with Martha and on to write one of the greatest novels ever written: For Whom the Bell Tolls.

For whom the bell tolls — For Whom the Bell Tolls

And it all could have been different! Thank you, Don, for pointing me to this article. Best to all, Christine

Historian: Charlevoix gambling win was significant for Ernest Hemingway

Annie Doyle (231) 330-2635 adoyle@charlevoixcourier.com
Feb 6, 2020

If not for Charlevoix, the trajectory of Ernest Hemingway’s life would have been very different, according to Charlevoix historian David Miles.

In 1920 when renowned author Ernest Hemingway was in his late teens, he won money at a Charlevoix gambling house that prevented him from having to work at the cement plant located at what’s now Bay Harbor, said Miles.

John Koch founded the Colonial Club, an illegal gambling house, at 209 Meech St. in Charlevoix around 1916. “It was a high-class gambling club and gourmet restaurant,” said Miles.

Koch apparently had enough clout in Lansing so he was able to stay open year after year into the 1930s in an era where gambling was illegal, said Miles.

“Ernest Hemingway came here one night in 1920. He had been kicked out of the family cottage in Walloon. He was always like this with his mother, it was a very fraught relationship,” said Miles.

Miles said the reason for the row was a beach party she accused Hemingway of holding at their cottage. His mother accused him of the indiscretion, when in reality it was actually his sister who was the guilty party.

“His mother kicked him out and he ended up at a cheap boarding house in Boyne City,” said Miles. “He was down to his last $6 and his friends, in July 1920, picked him up to go to Charlevoix to Koch’s to gamble. He walked in with his last $6 and he sat down at the roulette table and parlayed that last $6 into $59, when they picked him up around 2 a.m. to go home,” said Miles.

“That got him through the rest of the summer.”

hem back row right. OVerbearing mother in front.

In a letter housed at the Charlevoix Historical Society, Hemingway wrote that the winnings in Charlevoix that evening, “prevented him from having to go to work at the cement plant where Bay Harbor is now, “ said Miles.

This and many other stories taken from the letters of young Hemingway have inspired a documentary coming soon to the Charlevoix Cinema.