How was “Papa” as a Father? Very interesting. Photos after the first added by me. Best, Christine
How Hemingway Felt About Fatherhood
Ernest Hemingway was affectionately called “Papa,” but what kind of dad was he?
By Verna Kale, Penn State
Ernest Hemingway was affectionately called “Papa,” but what kind of dad was he?
In my role as Associate Editor of the Hemingway Letters Project, I spend my time investigating the approximately 6,000 letters sent by Hemingway, 85% of which are now being published for the first time in a multivolume series. The latest volume – the fifth – spans his letters from January 1932 through May 1934 and gives us an intimate look into Hemingway’s daily life, not only as a writer and a sportsman, but also as a father.
During this period, Hemingway explored the emotional depths of fatherhood in his fiction. But his letters show that parenting could be a distraction from what mattered most to him: his writing.
‘No alibis’ in the writing business
Hemingway had three sons. His oldest, John – nicknamed “Bumby” – was born to Ernest and his first wife, Hadley, when Ernest was 24 years old. He had Patrick and Gregory with his second wife, Pauline.
Hemingway initially approached fatherhood with some ambivalence. In her 1933 memoir “The Autobiography of Alice B. Toklas,” Gertrude Stein recalls that one evening Hemingway came to visit and “announced…with great bitterness” that he was “too young to be a father.”
As the fifth volume of letters opens in January 1932, Hemingway is trying to finish “Death in the Afternoon,” his nonfiction account of bullfighting, in a household with a six-week-old baby, a three-year-old who ingests ant poison and nearly dies, a wife still recovering from a C-section, along with all the quotidian problems of home ownership, from a leaky roof to faulty wiring.
Hemingway explained to his mother-in-law, Mary Pfeiffer, that if his latest book fell short, he couldn’t simply take readers aside and say, “But you ought to see what a big boy Gregory is…and you ought to see our wonderful water-work system and I go to church every Sunday and am a good father to my family or as good as I can be.”
For Hemingway, work didn’t simply entail sitting at a desk and writing. It also included the various adventures he was famous for – the fishing, hunting, traveling and socializing with the people he met along the way. Though he would teach the boys to fish and shoot when they were older, when they were very young he didn’t hesitate to leave them with nannies or extended family for long stretches of time.
This separation was particularly hard on the youngest, Gregory, who, from a very young age, was left for months in the care of Ada Stern, a governess who lived up to her last name. Patrick sometimes joined his parents on their travels or stayed with other relatives. Bumby, the oldest, divided his time between his father and his mother in Paris. The children’s lives were so peripatetic that at the Letters Project we maintain a spreadsheet to keep track of their whereabouts at any given time.
‘Papa’ explores fathers and sons in his fiction
However, it would not be accurate to say that Hemingway did not care about his children. In the latest volume of letters, three are addressed to Patrick, two of them decorated with circled dots, a Hemingway family tradition called “toosies,” which represented kisses.
In November 1932, with his two youngest sons ill with whooping cough and being cared for by their mother at their grandparents’ home in Arkansas, Hemingway postponed a trip to New York to stay in Key West with Bumby.
“He is a good kid and a good companion,” Hemingway wrote his editor, Maxwell Perkins, “but I do not want to drag him around the speakies [bars] too much.”
That same month Hemingway worked on the story of a father and son traveling together that would become “Fathers and Sons” in the collection “Winner Take Nothing.” It’s one of the only stories in which Nick Adams – a semi-autobiographical recurring character – is portrayed as a parent, and the reflective, melancholy piece was written just three years after Hemingway’s own father had died by suicide.
In the story, Nick is driving along a stretch of highway in the countryside with “his son asleep on the seat by his side” when he starts thinking about his father.
Nick recalls many details about him: his eyesight, good; his body odor, bad; his advice on hunting, wise; his advice about sex, unsound. He reflects on viewing his father’s face after the undertaker had made “certain dashingly executed repairs of doubtful artistic merit.”
Nick is surprised when his son starts to speak to him because he “had felt quite alone” even though “this boy had been with him.” As if reading his father’s thoughts, the boy wonders, “What was it like, Papa, when you were a little boy and used to hunt with the Indians?’”
Hemingway’s letters show that another story in the collection, “A Day’s Wait,” was inspired by Bumby’s bout with influenza in the fall of 1932. It is a seemingly lighthearted story about a young boy’s misunderstanding of the differences between the centigrade and Fahrenheit scales of temperature. Like Bumby, the protagonist, “Schatz” – one of Bumby’s other nicknames, a term of endearment in German – attends school in France but is staying with his father when he becomes ill. Schatz had learned at school that no one can survive a temperature of 44 Celsius, so, unbeknownst to his father, he spends the day waiting to die of his fever of 102 Fahrenheit.
But there is more to this story than the twist. “You don’t have to stay in here with me, Papa, if it bothers you,” the boy tells him. “It doesn’t bother me,” his father replies. He unwittingly leaves his son to believe, for an entire day, not only that the boy is going to die, but that his death is of no importance to his father.
In this slight story – one of those stories he told Perkins was written “absolutely as they happen” – we find an unexpected Hemingway hero in the form of a nine-year-old boy who bravely faces death alone.
Though he once wrote that he wanted “Winner Take Nothing” to make “a picture of the whole world,” Hemingway also seemed to understand that no one ever truly knows the subjective experience of another, not even a father and son.
Verna Kale, Associate Editor, The Letters of Ernest Hemingway and Assistant Research Professor of English, Penn State
This article is republished from The Conversation under a Creative Commons license. Read the original article.
Concussions and Suicide (Some photos added by me). Best, Christine
Did Ernest Hemingway Succumb to CTE? PBS Doc Explores His Ill-Fated Concussions
The great American novelist died more than 40 years before the discovery of the degenerative brain disease
In the beginning of the end for Ernest Hemingway, as a 1954 trip to Africa is called in the new PBS documentary “Hemingway,” the great American novelist breaks his skull for the second time in his life during a plane crash in the outback.
Trapped as flames spread to the cabin, Hemingway is forced to use his head as a battering ram to create an opening in the twisted metal of the plane’s wreckage.
It’s the last of at least five major concussive head injuries that Hemingway sustained throughout his adult life and punctuates a growing problem. This time, his symptoms include slurred speech, double-vision and recurring deafness.
Also Read:Ernest Hemingway Series in the Works From Producers Mariel Hemingway, Mike Medavoy (Exclusive)
The Ken Burns documentary on Hemingway features two themes — his fascination with shotguns and his many concussions — that foreshadow what’s to come. Hemingway was long assumed to have suffered from a mental illness such as biploar depression, exacerbated by his progressive alcoholism and other substance abuse. But he died more than 40 years before the discovery of the degenerative brain disease chronic traumatic encephalopathy.
CTE, as the brain disease is commonly known — and for which repeated concussions are a hallmark — could explain Hemingway’s fate.
CTE has been linked to the suicides of former NFL players Junior Seau and Dave Duerson and former Washington State quarterback Tyler Hilinski, and further, the sociopathic behavior and suicides of Aaron Hernandez and Jovan Belcher. But outside of the 2017 biography “Hemingway’s Brain” by Dr. Andrew Farah, it has not widely taken root as a theory to explain Hemingway’s suicide.
Also Read:Liev Schreiber to Star in Adaptation of Hemingway’s ‘Across the River and Into the Trees’
Buried at the Ketchum Cemetery in Ketchum, Idaho, it’s impossible to know now whether CTE played a role in Hemingway’s demise (a CTE diagnosis requires a postmortem scan of brain tissue). And while Burns and fellow “Hemingway” director Lynn Novick explore Hemingway’s concussions throughout the three-episode documentary, CTE is not broached.
“The last few weeks in Africa he just lost all restraint,” Hemingway’s son Patrick, now 92, says in the documentary. “And for someone as powerful, he — I really had enough. And we never saw each other again.”
Later that year, after the African trip, Hemingway’s diminished mental capacities are unmistakable when he is named the winner of the Nobel Prize for Literature. Back at home in Cuba, he was physically unable to travel to Sweden to accept the award, so the Swedish ambassador traveled to him. Photos for the event catch a smile that conveys a lucid stream of thought and forthright happiness. But in a rare TV interview with NBC after the award was announced, he struggles mightily. He agreed to do the interview only if the questions were provided in advance. And his answers are written on cue cards.
Also Read:Ernest Hemingway Memoir ‘A Moveable Feast’ TV Adaptation in the Works From Village Roadshow
“The book that I am writing on at present is about Africa, its people in the park that I know them,” he says in a black-and-white video, slowly and methodically, when asked about a potential next book. “The animals – comma – and the changes in Africa since I was there, last – period.”
Hemingway’s history of concussions began in World War I as part of the experiences he would use to write the 1929 novel “A Farewell to Arms.” Hemingway, an ambulance driver on the Italian front, had grown adventurous and began running minor supplies to the front lines. During one of his supply sorties, a trench mortar exploded 3 feet away.
In Paris in 1928, Hemingway mistook a hanging skylight string for a toilet cord after a night of drinking with friends. The skylight crashed onto his head. He would wear a famous forehead scar for the rest of his life.
There was a fall from a fishing boat near Cuba, and a serious car accident in London during World War II that required 57 stitches. Hemingway’s head smashed through the windshield and “his skull was split wide open,” according to the PBS documentary.
He was discharged from the hospital after four days, but the injury had been much worse than what was feared — a subdural hematoma, or bleeding between the brain and the skull. Blurred vision, ringing in his ears and chronic headaches resulted and persisted for nearly a year, and Hemingway began having trouble recalling words and writing legibly.
In another World War II incident, a German artillery round knocked him off a motorcycle. He flew into a ditch and his head struck a rock. A car accident years later in Cuba left him with another concussion.
Hemingway was also a boxer as a young man and played football into high school, when football helmets offered little to no protection.
“The symptoms of post-concussion syndrome were clearly described by Hemingway in various letters after different injuries, particularly after the fall on his fishing boat, and after the World War II concussions, and certainly after the plane crashes,” the author Farah said in a 2017 interview.
Erratic and violent behavior increasingly became the norm for Hemingway. That included falling in love with an 18-year-old and conveying to friends and associates he had reached a peak creatively.
“Hemingway had convinced himself he was writing better than ever. He was not,” narrator Peter Coyote says in the documentary.
He also would discuss suicide and even act it out in front of friends. In Cuba, the documentary says, with friends over for dinner, he would put his shotgun on the floor, put his finger on the trigger and put the barrel in the roof of his mouth.
“And everyone would listen to it go click, and he would lift his mouth off the barrel grinning,” the narrator says.
Hemingway was eventually admitted to the Mayo Clinic. And after thoughts of suicide reclaimed their grip, he was later readmitted. Hemingway, 61, was then again discharged despite his wife’s misgivings.
The next week at home, he shot himself in the forehead with a double-barrel shotgun.
“I was pained and grieved,” says the late longtime U.S. senator, John McCain, who revered Hemingway. “But you know, I think there are times when – I don’t agree with it, but it’s understandable – why he decided to end his life when his talent had left him.
“We sometimes talk about people and we idolize them and we give them every virtue and no vice — he had lots of vices,” McCain says. “He had tons of vices. He was a human being. And that, my friend, erases a whole lot of other, what may be, failings in life.”
What a Find: Revelations about Hemingway. Those of us who read a lot about Hemingway have heard for a while that Toby Bruce had “stuff.” Well what stuff it is indeed. Best to all, Christine
What a newly discovered treasure trove of Ernest Hemingway materials reveals about the author
After sitting for decades in a storage room in Sloppy Joe’s Bar in Key West, Florida, Ernest Hemingway’s favorite bar, a treasure trove of materials belonging to the author could change the way we think about the him.
Unpublished short stories, manuscripts, photos, letters and correspondences and more have been made available to the public and scholars for the first time through the Toby and Betty Bruce Collection of Ernest Hemingway at Penn State University.
From fishing logs and his American Red Cross Uniform, to drafts and galleys of his book “Death in the Afternoon,” the collection is full of artifacts that should make any Hemingway fan excited. Robert K. Elder in The New York Times even called it the “the most significant cache of Hemingway materials uncovered in 60 years.”
Boxing with F. Scott Fitzgerald
Among the findings, is an amusing unpublished three page short story about “Kid Fitz”— a satire of F. Scott Fitzgerald — as a young boxer who fights other famous authors with comedic boxing names such as “Battling Milton,” “K.O. Keats,” “Spike Shelley” and “Wild Cat Wordsworth.”
“It’s making fun of Fitzgerald’s ineptitude in physical manners,” Fitzgerald scholar Kirk Curnutt told The New York Times. “Hemingway clearly felt he’d surpassed Fitzgerald in literary and physical virility.”
Perhaps the story is a reference to the 1929 boxing match between Hemingway and Canadian writer Morley Callaghan in which Fitzgerald, who was timing the match, allegedly let the match go on for a minute too long. Hemingway blamed Fitzgerald for losing the match, and the grudge apparently lasted.
Additionally, Hemingway often compared boxing to writing, imagining himself going up against some of the world’s greatest writers.
In a 1949 letter to Charles Scribner, Hemingway writes that he could take Henry James down with one hit.
“There are some guys nobody could ever beat like Mr. Shakespeare (The Champion) and Mr. Anonymous,” Hemingway wrote. “But would be glad any time, if in training, to go twenty with Mr. Cervantes in his own home town (Alcala de Henares) and beat the (expletive) out of him.”
The “Kid Fitz” short story is a continuation of Hemingway’s pattern of comparing authors to each other through boxing imagery, but this time, rather than comparing himself to others, he shows Fitzgerald engaging in this same act of authorial comparison.
“In a way, it’s an odd admission of delusion,” Curnutt said. “Hemingway would claim he could take world-renowned writers in the ring with the same sort of obliviousness he’s attributing to Kid Fitz here as he gets his nose knocked off.”
Musing on death and suicide
In some less light-hearted writings found in the collection, Hemingway contemplates death and suicide, over 35 years before he would take his own life.
In personal writings from the archive, dated March 6, 1926, he writes, “When I feel low I like to think about death and the various ways of dying and I think probably the best way, unless you could arrange to die some way while asleep, would be to go off a liner at night.”
“For so many years I was afraid of death and it is very comfortable to be without that fear. Of course it may return again at any time,” Hemingway continued.
The writings suggest that the “author’s own suicidal ideation started earlier and was perhaps deeper than scholars previously knew.” Elder writes.
From his personal writings, scholars will have much more information on the inner workings of Hemingway’s mind than they’ve had before. As Elder states in his article in The New York Times, this is just a first look at many more potential findings from this exciting collection.
As scholars dig deeper into the collection, we will find out even more about the personal life — the inner thoughts, the writing process, the contemplations of suicide — of the seemingly larger-than-life author.
Mental Health and Ernest Hemingway: Interesting article (All but the top photos added by me.)
I’ve Posted this before but I enjoy it so much that in case you missed it —well, it’s not to be missed. Orson Welles on Hemingway. Insightful, funny, enjoyable. Best, Christine,
And now for something light! Hemingway look alike contest. Some fun.
Attorney wins Ernest Hemingway contest in Key West tradition
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KEY WEST, Fla. (AP) — Some came in wool fisherman’s sweaters, and other contestants had sportsmen’s attire. But it was the cream-colored sweater of attorney Jon Auvil that caught the eye of judges who awarded him the title for most resembling author and former Key West resident Ernest Hemingway.
Auvil triumphed Saturday night over 124 other contestants for the title in the annual Hemingway Look-Alike Contest at Sloppy Joe’s Bar, the Key West establishment where the author was a regular patron during his decade-long residence on the island in the 1930s.
The look-a-like contest is a highlight of Key West’s annual Hemingway Days celebration, which ended Sunday.
Auvil said he shares Hemingway’s passion for fishing, has written some fiction and would like to do more writing.
“Every man wants to write like Hemingway,” said Auvil, who lives in Dade City, Florida, northeast of Tampa.
While living in Key West, Hemingway wrote classics, including “For Whom the Bell Tolls” and “To Have and Have Not.”
Happy Birthday, Mr. Hemingway. And Thank you.
Good Read. There is much negative to be said about Hemingway but also a lot of good. Best to all, Christine
A beloved author’s tie to Idaho and why he’s so revered 61 years after his death
Rett Nelson, EastIdahoNews.com
Published at | Updated at
IDAHO FALLS – The news of Ernest Hemingway’s death came as a shock to the world when it was announced on a Sunday morning in the summer 61 years ago.
The beloved author of such titles as “The Sun Also Rises,” “For Whom the Bell Tolls,” and “A Farewell to Arms,” was 19 days shy of his 62nd birthday when he shot himself at his Ketchum home on July 2, 1961, at 7:30 a.m.
In a conversation with EastIdahoNews.com, Mark Cirino, the host of a podcast and author of multiple books about the 20th-century writer, explains what occurred in the final moments of Hemingway’s life.
“The night before the suicide, he and his wife had a night together where Hemingway serenaded her with an old Italian folk song. They danced a little bit, went to bed, and the next morning, Hemingway killed himself,” Cirino says.
Hemingway had purchased the 14-acre Ketchum property two years prior to his death, but his time spent in the Gem State began two decades before that.
Hemingway’s love affair with Idaho
Hemingway was an avid hunter, fisherman and outdoorsman, which is one reason Cirino says he was so fond of the state. Hemingway had spent a lot of time in Paris as a young man and his introduction to Idaho happened through a friend.
“His friend in Paris was Ezra Pound (the famous poet and critic), who’s from Hailey, Idaho,” Cirino explains. “In 1939 when they were trying to build up Sun Valley as a commercial resort, (city officials) proposed to Hemingway that he stay there for free. He could hunt … write and be on his own. The only thing he would need to do is lend his name to the facility. That arrangement worked out for Hemingway.”
Hemingway had completed 12 chapters of “For Whom the Bell Tolls” during his first visit to Sun Valley. Cirino says he ended up finishing it in room 206 of the Sun Valley Lodge, now known as the Hemingway Suite. There’s even a reference to Sun Valley in the book.
“There’s a moment in chapter 13 where Robert Jordan, the hero of (the book), is thinking about when the Spanish Civil War is over and how life would be with his girlfriend. He says, ‘Maybe we’ll be Mr. and Mrs. Robert Jordan from Sun Valley, Idaho,’” says Cirino.
Many of the places Hemingway visited became settings for his novels. One example is his depiction of the bullfights in Pamplona, Spain in “The Sun Also Rises.”
“To this day, people from all over the world make pilgrimages (there),” Cirino says.
But Sun Valley was different. He never used it as a location for any of his books likely because he viewed the area as a place of refuge. Cirino says Hemingway was aware of the reach his stories had and he didn’t want the masses to discover his private paradise.
Hemingway’s final days and legacy
Hemingway notoriously had property in Cuba and in 1959, he became frustrated with living there, according to Lithub.com. That’s when he and his wife, Mary, decided to buy a 2,500-square-foot home in Ketchum.
Hemingway was an alcoholic, which contributed to his depression and state of mental deterioration he’d been experiencing for many years prior. By the time he moved to Idaho, he began to rapidly decline.
“Hemingway would often drive through Idaho feeling paranoid like he was being watched,” Cirino says. “He was having depressive episodes, almost schizophrenic episodes.”
Upon his death in 1961, Hemingway was laid to rest at the Ketchum Cemetery. Details about the late author’s official diagnosis remain somewhat of a mystery all these years later.
During our conversation, Cirino mentioned a neurosurgeon he spoke with on his podcast several years ago who believes Hemingway had Chronic Traumatic Encephalopathy, a type of concussion boxers and football players sometimes get.
“Hemingway was not only wounded in World War I, but he had a history of accidents with a string of concussions. He would pull a skylight down onto his head or fall on his boat and crack his head open. He had a couple of car accidents. He had two plane crashes in 1954, so … he might’ve had this type of condition,” Cirino explains.
Regardless of Hemingway’s condition, Cirino says Hemingway’s widow was protective of her husband’s legacy and went to great lengths to preserve his dignity, especially during the last few months of his life.
When she passed away in 1986, VisitSunValley.com reports she bequeathed the 14-acre property to The Nature Conservancy. The private residence has been managed by the Ketchum Community Library since 2017.
Referencing the legacy Ernest Hemingway left behind, Cirino says the esteemed author “influenced a generation of writers after him and created such a seismic effect on the English language.”
“People can read a Hemingway novel or short stories and learn about Hemingway’s time but also learn about their own psychology, emotion and consciousness,” he says. “Hemingway was one of the real turning points in literature in the early part of the 20th century.”
Hemingway also seems to have passed on his love of Idaho and the outdoors to his children. His son, Jack, who died in 2000, served as the Idaho Fish and Game Commissioner from 1971-1977 at the request of Gov. Cecil Andrus.
Listen to Cirino’s podcast here. His latest book will be released in July.